- Cat. no. OE
- 7
Enroulement élémentaire obtenu chez un « débile mental »
Elementary rolling-up obtained from a «mental defective»
Cat. no. OE 7
Elementary rolling-up obtained from a «mental defective»
1932-1933
Description
- Author:
- Salvador Dalí i Domènech - Gyula Halász, àlies Brassaï
- Date:
- 1932-1933
- Technique:
- Photograph and found object or object of automatic origin
- Dimensions:
- For this study we have taken into consideration the homothetic posthumous print run in the original format of 17 x 23 cm
- Location:
- Unknown. Homothetic posthumous print: Estate Brassaï Succession
- Description:
- Between 1932-1933, Dalí took on the artistic direction of a series of photographs made with Gyula Halász, alias Brassaï (1899-1984), in which certain objects, probably of automatic origin, acquire a new conceptual and artistic dimension, grounded in the essence of the photographic image. Several of these photographs were published anonymously in 1933 in the magazine Minotaure, under the heading ‘Sculptures involontaires’, each with a descriptive title drawing attention to details of the work. In this case, Dalí refers to the concept of ‘mental weakness’, which can also be related to the article ‘Concerning the Terrifying and Edible Beauty of Art Nouveau Architecture’, published in the same issue of Minotaure, in which Dalí defines Art Nouveau as: ‘Very accentuated decline of the reasoning faculty, extending to the verge of mental retardation'.
For this study we have taken into consideration the Estate Brassaï Succession homothetic posthumous print run.
- "Sculptures Involontaires", 12/1933, Paris, p. [68], ill., indirect image
- Brassaï, Conversations avec Picasso, Gallimard, [París], 1964, p. 49
- Brassaï, Picasso and company, Doubleday, New York, 1966, p. 36
- Salvador Dalí, Oui : méthode paranoïaque-critique et autres textes, Denoël, Gonthier, Paris, 1971, between pp. 96-97, ill.
- Rosalind Krauss, "The Photographic Conditions of Surrealism", October, vol. 19, Hivern 1981, New York, NY, pp. [30]-31, ill., indirect image
- Brassaï, Les Artistes de ma vie, Denoël, Paris, 1982, pp. 29, 34
- Paul Éluard, Lettres à Gala: 1924-1948, Gallimard, [París], 1984, pp. 222, 226-227
- Rosalind E. Krauss, Jane Livingston, L'Amour fou : photography & surrealism, The Corcoran Gallery of Art, Abbeville, Washington, D.c., New York, London, 1985, pp. 19, 21, ill.
- Paul Éluard, Cartas a Gala: 1924-1948, Tusquets, Barcelona, 1986, pp. 189, 191-192
- Regards sur Minotaure : la revue à tête de bête, Musée d'art et d'histoire de Genève, Genève, 1987, pp. 214, 265, ill.
- Briony Fer, David Batchelor, Paul Wood, Realism, rationalism, surrealism : art between the wars, Yale University Press in association with the Open University, New Haven & London, 1993, pp. 209-210, ill., indirect image
- Dalí joven, 1918-1930, Museo Nacional Centro de Arte Reina Sofía, [Madrid], 1994, p. 276, ill.
- Dalí, els anys joves : 1918-1930, Generalitat de Catalunya. Departament de Cultura., Fundació Gala-Salvador Dalí, Figueres, [Barcelona], 1995, p. 276, ill.
- Gérard Durozoi, Histoire du mouvement surréaliste, Hazan, Paris, 1997, p. [245], ill., indirect image
- Matthew Gale, Dada & surrealism, Phaidon, London, 1997, p. 294
- Haim Finkelstein, The Collected writings of Salvador Dalí, Cambridge University Press, Cambridge, 1998, p. 198
- Surrealism: two private eyes, the Nesuhi Ertegun and Daniel Filipacchi collections, Guggenheim Museum Publications, New York, 1999, p. 723
- Brassaï, Centre Pompidou / Seuil, Paris, 2000, pp. 134, 317, ill., indirect image
- Christopher Green, Art in France : 1900- 1940, Yale University Press, New Haven and London, 2000, pp. 136-137, ill., indirect image
- Gérard Durozoi, History of the surrealist movement, The University of Chicago Press, Chicago, London, 2002, p. [242], ill., indirect image
- Joan R. Kropf, Dalí objects / Dalí fetishes, Salvador Dalí Museum, Florida, 2002, pp. 11-12, ill., indirect image
- Rosalind E. Krauss, Jane Livingston, Dawn Ades, Explosante - fixe : photographie & surréalisme, Hazan, [S.l.], 2002, pp. 19, 21, ill.
- Dalí Gaudí : La revolució del sentiment d'originalitat, Fundació Caixa Catalunya, Fundació Gala-Salvador Dalí, Figueres, Barcelona, 2004, p. 43, ill., indirect image
- Dalí Gaudí : La revolución del sentimiento de originalidad, Fundació Caixa Catalunya, Fundació Gala-Salvador Dalí, Figueres, Barcelona, 2004, p. 43, ill., indirect image
- Dalí Gaudí : The revolution of the sentiment of originality, Fundació Caixa Catalunya, Fundació Gala-Salvador Dalí, Figueres, Barcelona, 2004, p. 43, ill., indirect image
- David Bates, Photography and surrealism: sexuality, colonialism and social dissent, I.B. Tauris, New York, London, 2004, p. 84
- Mary Ann Caws, Surrealism, Phaidon, London, 2004, p. 98, ill., indirect image
- Salvador Dalí i les arts : historiografia i crítica al segle XXI, Publicacions de la Universitat de Barcelona, Barcelona, 2005, pp. 93-94
- Salvador Dalí, Obra completa : Assaigs 1, Destino, Fundació Gala-Salvador Dalí, [Figueres], Barcelona, 2005, p. 309
- Salvador Dalí, Obra completa : Ensayos 1, Destino, Fundació Gala-Salvador Dalí, Sociedad Estatal de Conmemoraciones Culturales, [Madrid], [Figueres], Barcelona, 2005, p. 309
- Cosas del surrealismo : surrealismo y diseño, Victoria and Albert Museum, Guggenheim Bilbao, Bilbao, London, 2007, p. 62, ill., indirect image
- Modern sculpture reader, Henry Moore Institute, Leeds, 2007, p. 96
- Surreal things : surrealism and design, Victoria and Albert Museum, London, 2007, p. 62, ill., indirect image
- Guillermo Carnero, Salvador Dalí y otros estudios sobre arte y vanguardia, Institució Alfons el Magnànim - Diputació de València, [València], 2007, pp. 41, 54, 208
- La Subversion des images : surrealisme, photographie, film, Centre Pompidou, Paris, 2009, pp. 346-347, 461, ill., indirect image
- Salvador Dalí. Ritratto di un genio, Abscondita, Milano, 2011, p. 119
- Anna Dezeuze, Julia Kelly, Found sculpture and photography from surrealism to contemporary art, Ashgate, Farnham, UK, Burlington, VT, 2013, pp. [1]-3, 5-9, [13]-18, 30, 40, 50, 61, 99-102, ill., indirect image
- Marc Aufraise, Salvador Dalí et la photographie: portraits du surréalisme, 1927-1942, Université Paris 1 Panthéon-Sorbonne, Paris, 2013, pp. 4, 14, 130, 145, 193-195, 204
- William Jeffett, Juan José Lahuerta, Picasso-Dalí, Dalí-Picasso, Museu Picasso, Salvador Dalí Museum, Sant Petersburg, Barcelona, 2014, p. 40, ill., indirect image
- William Jeffett, Juan José Lahuerta, Picasso-Dalí, Dalí-Picasso, Museu Picasso, Salvador Dalí Museum, Sant Petersburg, Barcelona, 2014, p. 40, ill., indirect image
- Dawn Ades, Writings on art and anti-art, Ridinghouse, London, 2015, pp. 537-540, ill., indirect image
- Montse Aguer, Jean-Michel Bouhours, Laura Bartolomé, Busto de mujer retrospectivo 1933/1976-1977, Fundació Gala-Salvador Dalí, Figueres, 2015, p. 18, ill., indirect image
- Montse Aguer, Jean-Michel Bouhours, Laura Bartolomé, Bust de dona retrospectiu 1933/1976-1977, Fundació Gala-Salvador Dalí, Figueres, 2015, p. 19, ill., indirect image
- Montse Aguer, Jean-Michel Bouhours, Laura Bartolomé, Retrospective bust of a woman 1933/1976-1977, Fundació Gala-Salvador Dalí, Figueres, 2015, p. 19, ill., indirect image
- Montse Aguer, Jean-Michel Bouhours, Laura Bartolomé, Buste de femme rétrospectif 1933/1976-1977, Fundació Gala-Salvador Dalí, Figueres, 2015, p. 18, ill., indirect image
- Laura Bartolomé, "La bellesa involuntària de les escultures Dalí-Brassaï", LA VANGUARDIA, Cultura/s, 02-08/04/2016, Barcelona, pp. 28, 30. 31, ill., indirect image
- Dalí / Duchamp, Royal Academy of Arts, The Dalí Museum, St. Petersburg, FL, London, 2017, p. 122, ill., indirect image
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Cat. no. OE 3
«Symmetrically» rolled-up bus ticket, forming a rare mechanism of automatism with evident germs of stereotypes
1932-1933
-
Cat. no. OE 4
Ornamental Modern Style bread escapes the soft stereotype
1932-1933
-
Cat. no. OE 5
Piece of soap presenting Modern Style automatic shapes, found in a washbasin
1932-1933
-
Cat. no. OE 6
The morphological accident of the squeezed toothpaste does not escape the fine ornamental stereotype
1932-1933
-
Cat. no. OE 8
Rolled-up bus ticket, found in the pocket of an average bureaucrat (Crédit Lyonnais); the most frequent characteristics of «Modern Style»
1932-1933
-
Cat. no. OE 9
The Envelope
c. 1933
-
Cat. no. OE 10
Untitled. Automatic object
c. 1933
-
Cat. no. OE 11
Piece of cotton wool instantly rolled up and abandoned (category of «aborted automatisms»)
c. 1933
-
Cat. no. OE 12
Untitled. Automatic object
c. 1933
-
Cat. no. OE 13
Shell
c. 1933
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