Méditation sur la harpe (Meditation on the Harp)

• André Durst
• Marquis of Cuevas
• Bignou Gallery, New York
• Hugo Gallery
• Delius Gallery, New York

• 1933, París, Pierre Colle, Exposition Surréaliste, 7-6-1933 - 18-6-1933, cat. no. 6
• 1933, París, Pierre Colle, Exposition Salvador Dali, 19-6-1933 - 29-6-1933, cat. no. 2
• 1937, París, Musée du Jeu de Paume, Origines et Développement de l'Art International Indépendant, 30-7-1937 - 31-10-1937, cat. no. 86
• 1947, New York, Bignou Gallery, New Paintings by Salvador Dali, 25-11-1947 - 3-1-1948, cat. no. 13
• 1950, New York, Delius Gallery, Exhibition 20 paintings old and new from Duccio to Dali, 2-5-1950 - 27-5-1950, cat. no. 13
• 1954, Roma, Sale dell'Aurora Pallavicini, Mostra di quadri disegni ed oreficerie di Salvador Dalí, 13-3-1954 - 30-6-1954, cat. no. 14
• 1965, New York, Gallery of Modern Art, Salvador Dalí, 1910-1965, 18-12-1965 - 13-3-1966, cat. no. 41
• 1998, Liverpool, Tate Gallery Liverpool, Salvador Dalí: a mythology, 21-10-1998 - 31-1-1999, cat. no. 19
• 2012, París, Centre Pompidou, Dalí, 21-11-2012 - 25-3-2013, p. 151
• 2013, Madrid, Museo Nacional Centro de Arte Reina Sofía, Dalí. Todas las sugestiones poéticas y todas las posibilidades plásticas, 27-4-2013 - 2-9-2013, p. 151

• André Breton, Paul Éluard, Luis Buñuel, Salvador Dalí, Vane Bor, [Minotaure] (anunci)|[Les Éditons des Cahiers Libres] (anunci)|Centenaire D'Arnim|Recherches Expérimentales|Une girafe|Notes - Communications|Correspondance à Salvador Dali|[Il·lustració]|[Il·lustració], Librairie José Corti, Paris, 1933, n. p.
• Salvador Dalí, "Meditation sur la harpe (il.)", Le Surréalisme Au Service de la Révolution, 15/05/1933, Paris, n. p.
• Georges Hilaire, "Salvador Dalí", Beaux-Arts, 30/06/1933, Paris, n. p.
• s. a., "Salvador Dali sammandrag av en kritik över filmens historia", Spektrum, 1933, Stockholm, p. 42
• Louis Hautecoeur, "La Conception de la nature chez les peintres modernes", Gazette des Beaux-Arts, 31/07/1936, Paris, p. 186
• Bérnard Champigneulle, "L'inquiétude dans l'art d'aujourd'hui", L'amour de L'art, 31/03/1937, s. l., p. 79
• Mostra di quadri disegni ed oreficerie di Salvador Dalí, Sale dell'Aurora Pallavicini, Roma, 1954, il. 11
• Salvador Dalí, The IMS Press, Cleveland [Ohio], 1954, p. 37
• Dalí, Les Éditions du Chêne, Paris, 1957, p. 5
• A. Reynolds Morse, Michel Tapié, Dalí: a study of his life and work, New York graphic Society, Greenwich [Connecticut], 1958, p. 29
• Marcel Jean, Histoire de la peinture surréaliste, Éditions du Seuil, Paris, 1959, p. 221
• Salvador Dalí, 1910-1965, The Foundation for Modern Art, New York, 1965, p. 49
• Max. Gérard, Dalí de Draeger, Blume, Barcelona, 1968, il. 90 (detail)
• Sarane Alexandrian, Dalí peintures, Fernand Hazan, Paris, 1969, p. 6
• José Angelo Gaiarsa, Respiraçao e imaginaçao, Jose Angelo Gaiarsa, Sao Paulo, 1971, p. 23 (detail)
• Ninety-three oils by Salvador Dalí : 1917-1970, The Salvador Dalí Museum, Cleveland, 1973, p. 161
• Salvador Dalí ... a panorama of his art, The Salvador Dalí Museum, Cleveland, 1974, p. 74, p. 161
• Jacques Dopagne, Dalí, Fernand Hazan, Paris, 1974, il. 26
• Max. Gérard, Dalí... Dalí... Dalí..., Harry N. Abrams, New York, 1974, il. 45
• Le Surréalisme, XXe siècle, Paris, 1975, p. [116]
• Ernesto Giménez Caballero, Yo, inspector de alcantarillas, Turner, Madrid, 1975, title page
• Luis Romero, Todo Dalí en un rostro, Blume, Madrid, Barcelona, 1975, p. 115, p. 115 (detail)
• Salvador Dalí, René Passeron, Salvador Dalí, Filipacchi, Paris, 1978, p. 41
• Salvador Dalí, selected works, Filipacchi, New York, 1979, p. 41
• Salvador Dalí: rétrospective, 1920-1980, Centre Georges Pompidou, Musée National d'Art moderne, Paris, 1979, p. 184
• Hommage à Dalí, Vilo, Paris, 1980, p. 51
• Gaëtan Picon, Diario del surrealismo, Skira, Destino, [Barcelona], Genève, 1981, p. 140
• Dictionnaire général du surréalisme et ses environs, Office du Livre, Fribourg [Suisse], 1982, p. 275
• Rétrospective Salvador Dalí 1982, Edition Art Life, [S.l.], 1982, p. 34, Il. 5
• Bernard Ceysson, Jacques Lassaigne, Pierre Daix, La Pintura moderna : del vanguardismo al surrealismo, Skira, Carroggio, Genève, Barcelona, 1983, p. 83
• Ignacio Gómez de Liaño, Dalí, Polígrafa, Barcelona, 1983, il. 47
• Salvador Dalí, Être Dieu : opèra-poème, audiovisuel et catharre en six parties, Mediterrània, Barcelona, 1985, p. 183 (indirect image) (detail)
• Sarane Alexandrian, Dalí, Fernand Hazan, Paris, 1985, il. 26
• Salvador Dalí, The Tragic myth of Millet's Angelus, The Salvador Dalí Museum, St. Petersburg, 1986, cover (detail), p. 5, p. 125
• Surrealist drawings, The Salvador Dalí Foundation, St. Petersburg [Florida], 1988, n. p.
• Dalí à Clermont-Ferrand, Musée Bargoin, Pierre Argilet, Clermont-Ferrand, 1989, n. p. (indirect image) (detail)
• Salvador Dalí, Meisterwerke der dreissiger Jahre, Schirmer-Mosel, München, 1989, il. 15
• s. a., "Herencia artística de Salvador Dalí", LA VANGUARDIA, 29/01/1989, Barcelona, p. 2 (detail)
• Paul Moorhouse, Dalí, Magna Books, Wigston [Anglaterra], 1990, p. 59
• René Passeron, Salvador Dalí, Ars Mundi, [S.l.], 1990, p. 58
• Dalí: the Salvador Dalí museum collection, Bulfinch, Boston. Toronto. London, 1991, il. 57
• Luis Romero, PsicoDálico Dalí, Mediterranea, Barcelona, 1991, p. 77 (detail)
• Alessandr Rogin, [Salvador Dalí : el mite i la realitat], Republica, Moscou, 1992, p. 204 (detail) (indirect image)
• Carlos Rojas, Salvador Dalí, or the art of spitting on your mother's portrait, The Pennsylvania State University Press, University Park [Pennsylvania], 1993, il. 4
• Jessica Hodge, Salvador Dali, Barnes & Noble, New York, 1994, p. 64
• Marco Di Capua, Dalí, Librairie Gründ, Paris, 1994, p. 154
• Robert Descharnes, Gilles Néret, Salvador Dalí, 1904 -1989, Benedikt Taschen, Köln, 1994, p. 187, p. 187 (detail)
• Whitney Chadwick, Mith in surrealist painting 1929-1939: Dalí, Ernst, Masson, UMI Dissertation Service, [Michigan], 1994, p. 332
• Gilles Néret, Salvador Dalí : 1904-1989, Evergreen (Benedikt Taschen), [Köln], 1996, p. 33
• Ian Gibson, The Shameful life of Salvador Dalí, Faber and Faber, London, 1997, il. 78
• Dawn Ades, Fiona Bradley, Salvador Dalí: a mythology, Tate Gallery Publishing, London, 1998, p. 23
• Salvador Dalí, Parkstone, England, 1999, p. 74 - 75
• Robert S. Lubar, The Salvador Dalí Museum collection, Bulfinch, Boston - New York - London, 2000, p. 86
• Surrealism desire unbound, Tate Publishing, London, 2001, p. 66
• René Passeron, Surrealism, Finest, Pierre Terrail, Paris, 2001, p. 94
• Antoni Gaudí Salvador Dalí, Loft, Barcelona, 2002, p. 80
• Juan Antonio Ramírez, Dalí: lo crudo y lo podrido, A. Machado Libros, Madrid, 2002, p. 56
• Les Essentiels de l'art Dalí, Ludion, Amsterdam, 2003, p. 139
• The Portable Dalí, Universe, New York, 2003, p. 139
• Javier Pérez Andújar, Salvador Dalí : a la conquista de lo irracional, Algaba, Madrid, 2003, n. p.
• William Jeffett, Joan Fontcuberta, Imaginary gardens : mapping Dalí's landscapes, Salvador Dalí Museum exhibition series, St. Petersburg, Florida, 2003, p. 30
• Persistence and memory : new critical perspectives on Dalí centennial, Bompiani, [Milà], 2004, p. 62 (detail)
• Jean-Louis Gaillemin, Dalí : master of fantasies, Harry N. Abrams, New York, 2004, p. 73
• Jean-Louis Gaillemin, Dalí the impresario of surrealism, Thames & Hudson, London, 2004, p. 73
• Jean-Louis Gaillemin, Dali : le grand paranoïaque, Découvertes Gallimard Arts, Paris, 2004, p. 73
• Salvador Dalí : La gare de Perpignan - Pop, Op, Yes-yes, Pompier, Hatje Cantz, Ostfildern, 2006, p. 65
• Federico Fernández Díez, Goya y Dalí : del capricho al disparate, Diaz de Santos, Madrid, 2006, p. 17
• Dalí & film, Tate Publishing, London, 2007, p. 198
• Dalís medienspiele: falsche fährten und paranoische selbstinszenierungen in den künsten, Transcript, Bielefeld, 2007, p. 121 (Il. 8)
• Jesús Lázaro Docio, El Secreto creador de Salvador Dalí : el método paranoico-crítico, 1927-1937, Eutelequia, Madrid, 2010, il. 7
• Dalí, Centre Pompidou, Paris, 2012, p. 151
• Shûzô Takigushi, Dalí : Tokio, 1939, Notari, Genève, 2012, il. 20
• Rem Koolhaas, Delirio de Nueva York : un manifiesto retroactivo para Manhattan, Gustavo-Gili, Barcelona, 2016, p. 242 (detail)

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