- Cat. no. P
- 191
Self-Portrait Splitting into Three
Cat. no. P 191
Self-Portrait Splitting into Three
1926-27
Description
- Date:
- 1926-27
- Technique:
- Oil on canvas
- Dimensions:
- 71.5 x 51.5 cm
- Signature:
- Unsigned and undated
- Location:
- Town Hall of Figueres, on permanent deposit at the Fundació Gala-Salvador Dalí, Figueres
- Artist's colletion
- 1992, Barcelona, La Pedrera, Avantguardes a Catalunya, 16-7-1992 - 30-9-1992, cat. no. 227
- 2006, Köln, Museum Ludwig, Salvador Dalí : La gare de Perpignan - Pop, Op, Yes-yes, Pompier, 18-3-2006 - 25-6-2006, cat. no. 20
- 2008, Figueres, Teatre-Museu Dalí, Préstec temporal a la Fundació Gala-Salvador Dalí per a l'exposició "Autoretrats", 10-2-2008 - 6-12-2008,
- 2012, Humlebæk, Dinamarca, Lousiana Museum of Modern Art, Self-Portrait, 14-9-2012 - 13-1-2013, cat. no. 30
- A. Reynolds Morse, Salvador Dalí, Pablo Picasso, Pablo Picasso, Salvador Dalí : a preliminary study in their similarities and contrast, The Salvador Dalí Museum, Cleveland [Ohio], 1973, p. 32
- Ramón Gómez de la Serna, Dalí, Espasa-Calpe, Madrid, 1977, p. 42, p. 245
- Distribucions d'art surrealista, Distribucions d'Art Surrealista, Barcelona, 1983, p. 19
- Dalí capital de Figueres, Ajuntament de Figueres, Figueres, 1984, il. 321
- Rafael Santos Torroella, La Miel es más dulce que la sangre : las épocas lorquiana y freudiana de Salvador Dalí, Seix-Barral, Barcelona, 1984, p. 115
- Federico García Lorca : dibujos, Ministerio de Cultura, [Madrid], 1986, p. 47
- Miguel de Cervantes Saavedra, Salvador Dalí (il.), Il Fantastico idalgo don Chisciotte della Mancia, Del Drago, Milano, 1986, p. 14
- Grands Peintres : Dalí, COGEDI-PRESSE, Paris, 1988, p. 11
- Avantguardes a Catalunya, Fundació Caixa de Catalunya, Barcelona, 1992, p. 61 (detail), p. 302
- José Luis Giménez-Frontín, Teatre-Museu Dalí, Tusquets/Electa, [Barcelona], Madrid, 1994, p. 74
- Robert Descharnes, Gilles Néret, Salvador Dalí, 1904 -1989, Benedikt Taschen, Köln, 1994, p. 114
- David Lomas, The Haunted self : surrealism, psychoanalysis, subjectivity, Yale University Press, New Haven, London, 2000, p. 122
- Les Essentiels de l'art Dalí, Ludion, Amsterdam, 2003, p. 61
- The Portable Dalí, Universe, New York, 2003, p. 61
- Ricard Mas Peinado, Universdalí, Lunwerg, Barcelona, Madrid, 2003, p. 22
- Tonia Raquejo, Dalí: metamorfosis, Edilupa, [Madrid], 2004, p. 21
- Rafael Santos Torroella, El Primer Dalí, 1918-1929 : catálogo razonado, IVAM, Institut Valencià d'Art Modern, Generalitat Valenciana. Conselleria de Cultura, Educació i Esport, Publicaciones de la Residencia de Estudiantes, [València], [Madrid], 2005, p. 321
- Salvador Dalí : La gare de Perpignan - Pop, Op, Yes-yes, Pompier, Hatje Cantz, Ostfildern, 2006, p. 91
- Picasso, Miró, Dalí. Giovani e arrabbiati: la nascita della modernità, Skira, Milano, 2011, p. 42
- Catherine Grenier, Salvador Dalí : l'invention de soi, Flammarion, Paris, 2011, p. 63
- Dalí un artista un genio, Skira, Milano, 2012, p. 88
- Self-Portrait, Lousiana Museum of Modern Art, Humlebæk, Dinamarca, 2012, p. 54
- Salvador Dalí, Instituto Tomie Ohtake, Sao Paulo, 2014, p. 89, p. 287, p. 266
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