- Cat. no. P
- 388
L'heure du visage effacé (The Hour of the Erased Face)
Cat. no. P 388
The Hour of the Erased Face
1934
Description
- Date:
- 1934
- Technique:
- Oil on canvas
- Dimensions:
- 62 x 47 cm
- Signature:
- Signed and dated right below: Gala S Dali 19[34]
- Location:
- Private collection
- Emilio Terry, Saint Patrice
- Barnet Hodges, Chicago (Illinois)
- G. E. D. Nahmad, Geneva
- 1934, París, Jacques Bonjean, Exposition Dali, 20-6-1934 - 13-7-1934, cat. no. 22
- 1965, New York, Gallery of Modern Art, Salvador Dalí, 1910-1965, 18-12-1965 - 13-3-1966, cat. no. 61
- 1970, Rotterdam, Museum Boymans-van Beuningen, Dalí, 21-11-1970 - 10-1-1971, cat. no. 36
- 1989, Stuttgart, Staatsgalerie, Salvador Dalí, 1904-1989, 13-5-1989 - 23-7-1989, cat. no. 107
- 1999, New York, Solomon R. Guggenheim Museum, Surrealism: two private eyes, the Nesuhi Ertegun and Daniel Filipacchi collections, 4-6-1999 - 12-9-1999, cat. no. 46
- Salvador Dalí, 1910-1965, The Foundation for Modern Art, New York, 1965, p. 56
- Max. Gérard, Dalí de Draeger, Blume, Barcelona, 1968, il. 122 (detail)
- Dalí, Museum Boymans-van Beuningen, Rotterdam, 1970, il. 36
- Max. Gérard, Dalí... Dalí... Dalí..., Harry N. Abrams, New York, 1974, il. 62
- Luis Romero, Todo Dalí en un rostro, Blume, Madrid, Barcelona, 1975, p. 82 (detail)
- Trésors de Barcelone : Picasso, Miró, Dalí et leur temps, Fondation L'Hermitage, Lausanne, 1986, il. 75, p. 184
- Salvador Dalí, 1904-1989, Gerd Hatje, Stuttgart, 1989, p. 142
- Luis Romero, PsicoDálico Dalí, Mediterranea, Barcelona, 1991, p. 80
- Robert Descharnes, Gilles Néret, Salvador Dalí, 1904 -1989, Benedikt Taschen, Köln, 1994, p. 236
- Surrealism: two private eyes, the Nesuhi Ertegun and Daniel Filipacchi collections, Guggenheim Museum Publications, New York, 1999, p. 100
- Tonia Raquejo, Dalí: metamorfosis, Edilupa, [Madrid], 2004, p. 67
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