Llegaremos más tarde, hacia las cinco (We'll Be Arriving Later, around Five)

• Artist's colletion

• According to a conversation between Antoni Pitxot and Salvador Dalí recorded in Ignacio Gómez de Liaño’s Mi tiempo, escritos de arte y literatura (Madrid, Libertarias, 1984, p. 28), this work is known as A Removal Van. The title is a reference to the following lines from André Breton’s Secrets of the Magical Surrealist Art in The First Manifesto of Surrealism (1924): "Surrealism will introduce you to death which is a secret society. It will glove your hand, burying within it the profound M with which the word Memory starts. Do not forget to make proper arrangements for your will: personally, I ask to be conducted to the cemetery in a removal van. Let my friends destroy every last copy of my "Discourse on the Paucity of Reality"."

• 1983, Madrid, Museo Español de Arte Contemporáneo, 400 obras de Salvador Dalí del 1914 al 1983, 15-4-1983 - 29-5-1983, cat. no. 455
• 1984, [Aalborg], Husets Galleri, Salvador Dalí, Pitxot, Evarist Vallès, 25-5-1984 - 28-6-1984, cat. no. 14
• 1984, Ferrara, Palazzo dei Diamanti, I Dalì di Salvador Dalì, 1-7-1984 - 30-9-1984, cat. no. 79
• 1989, Humlebaek, Louisiana Museum of Modern Art, Salvador Dali, 16-12-1989 - 11-3-1990, cat. no. 66
• 1990, México, D. F., Centro Cultural / Arte contemporáneo, Los Dalís de Dalí: colección del Museo Nacional Centro de Arte Reina Sofía, 1-11-1990 - 31-1-1991, cat. no. 38
• 2010, Atlanta, High Museum of Art, Salvador Dalí: The late work, 7-7-2010 - 9-2-2011, cat. no. 41
• 2013, Madrid, Museo Nacional Centro de Arte Reina Sofía, Dalí. Todas las sugestiones poéticas y todas las posibilidades plásticas, 27-4-2013 - 2-9-2013, no reference
• 2016, Kyoto, Kyoto Municipal Museum of Art, Salvador Dalí, 1-7-2016 - 4-9-2016, cat. no. 126

• 400 obras de Salvador Dalí de 1914 a 1983, Obra Cultural de la Caixa de Pensions, [Madrid], 1983, p. 253
• I Dalì di Salvador Dalì, Gianni Tassinari, Ferrara, 1984, p. 224
• Salvador Dalí, Pitxot, Evarist Vallès, Husets Galleri, [Aalborg], 1984, p. 29
• Ignacio Gómez de Liaño, Mi tiempo, escritos de arte y literatura, Libertarias, Madrid, 1984, p. 25
• Los Dalís de Dalí: colección del museo nacional centro de arte reina Sofía, Centro cultural/Arte contemporaneo, México D. F., 1990, p. 147
• Dalí's optical illusions, Wadsworth Atheneum Museum of Art, Hartford, Connecticut, 2000, p. 65
• Dalí, un creador disidente, Destino, Barcelona, 2004, p. 208
• Dalí, un creador dissident, Destino, Barcelona, 2004, p. 206
• Ignacio Gómez de Liaño, El Camino de Dalí, Siruela, Madrid, 2004, p. 335
• Màrius Carol, Josep Playà i Maset, L'Enigma Dalí, Rosa dels Vents, Barcelona, 2004, n. p.
• Salvador Dalí : the late work, High Museum of Art, Yale University Press, Atlanta, New Haven and London, 2010, p. 90
• s. a., "LOS BALLETS DALINIANOS de Bacanal a Sacrificio", ARTE Y PARTE, 01/04/2013, s. l., p. 57
• Salvador Dalí, Yomiuri Shimbun, Culture Promotion Department, Tokyo, 2016, p. 227

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