Gala looking at Dalí in a state of anti-gravitation in his work of art "Pop-Op-Yes-Yes-Pompier" in which one can contemplate the two anguishing characters from Millet's Angelus in the state of atavic hibernation standing out of a sky which can suddenly burst into a gigantic Maltese cross right in the heart of the Perpignan railway station where the whole universe must converge

• Knoedler Gallery & Co., New York
• Galerie André-François Petit, Paris
• Galerie Zwirner, Cologne
• Ludwig collection, Cologne

• 1965, New York, Gallery of Modern Art, Salvador Dalí, 1910-1965, 18-12-1965 - 13-3-1966, addendum p. 4
• 1965, New York, Knoedler Gallery, Exhibitions of Dali's best paintings to-date, 18-12-1965 - 31-12-1965, no reference
• 1977, París, Galerie André-François Petit, Salvador Dali : La Gare de Perpignan, November-December 1977, no reference
• 1979, París, Centre Georges Pompidou, Musée National d'Art Moderne, Salvador Dalí: rétrospective, 1920-1980, 18-12-1979 - 21-4-1980, cat. no. 272
• 1983, Madrid, Museo Español de Arte Contemporáneo, 400 obras de Salvador Dalí del 1914 al 1983, 15-4-1983 - 29-5-1983, cat. no. 400
• 2004, Venezia, Palazzo Grassi, Dalí, 12-9-2004 - 16-1-2005, cat. no. 241

• il. 64
• s. a., "Salvador Dali: "J' ai choisi Céret pour ma seconde "résurrection" parce que c' est "l' endroit super - rossignolesque""", L' Indépendant, 25/08/1965, Perpignan, n. p. (indirect image)
• j.l. Villet, "Dali a peint sa "Gare de Perpignan" ...", Midi Libre, 31/12/1965, Montpellier, n. p. -
• Alain Bosquet, "Non crediate che sia una cosa semplice essere un genio", L'europeo, 19/05/1966, Milano, p. 50-51 (indirect image) (detail)
• Max. Gérard, Dalí de Draeger, Blume, Barcelona, 1968, il. 28, il 45 (detail), il. 220 (detail), il. 118 (detail)
• s. a., "A Dali Dali et demi", Constellation, 31/12/1968, Paris, p. 114
• s. a., "Dalí Draeger", La Galerie Des Arts, 31/05/1970, Paris, n. p.
• A. Reynolds Morse, Dalí, the masterworks, The Reynolds-Morse Foundation, Cleveland, 1971, p. 16
• José Angelo Gaiarsa, Respiraçao e imaginaçao, Jose Angelo Gaiarsa, Sao Paulo, 1971, p. 86 (detail)
• Ninety-three oils by Salvador Dalí : 1917-1970, The Salvador Dalí Museum, Cleveland, 1973, p. 161 (detail), p. 184
• Salvador Dalí ... a panorama of his art, The Salvador Dalí Museum, Cleveland, 1974, p. 161, p. 184 (il. 16)
• Luis Romero, Todo Dalí en un rostro, Blume, Madrid, Barcelona, 1975, p. 332-333
• Salvador Dali : La Gare de Perpignan, Galerie André-François Petit, Paris, 1977
• Salvador Dali : La Gare de Perpignan accompagnée d'une petite rétrospective, Galerie André-François Petit, Paris, [1977], n. p.
• Ramón Gómez de la Serna, Dalí, Espasa-Calpe, Madrid, 1977, p. 162-163 (detail), p. 252
• Jean Saucet, "Dali - "Je suis le pompier de la peinture moderne"", Paris Match, 09/12/1977, Paris, n. p.
• Robert Descharnes, S. Terayama, Dalí: the book of great masters, Zauho, Tokyo, 1978, il. 14 (detail)
• Salvador Dalí, El Mito trágico del Angelus de Millet, Tusquets, Barcelona, 1978, p. 131
• s. a., "El ferrocarril en la pintura", Vía Libre, 30/04/1978, Madrid, n. p.
• Salvador Dalí: rétrospective, 1920-1980, Centre Georges Pompidou, Musée National d'Art moderne, Paris, 1979, p. 328
• Salvador Dalí : Gemälde, Zeichnungen, Objekte, Skulpturen, Rudolf A. Hüngerle, Heidelberg, 1981, p. 133
• Josep Pla, Salvador Dalí (il.), Obres de museu, DASA, Figueres, 1981, p. 106
• Rétrospective Salvador Dalí 1982, Edition Art Life, [S.l.], 1982, p. 33, Il. 2
• René Passeron, Enciclopedia del surrealismo, Polígrafa, Barcelona, 1982, p. 59
• Ignacio Gómez de Liaño, Dalí, Polígrafa, Barcelona, 1983, il. 122
• s. a., ""Ich war phänomenal"", Der Spiegel, 17/09/1984, Hamburg, p. [227] (detail)
• Salvador Dalí, Louis Pauwels, The Passions according to Dalí, The Salvador Dalí Museum, St. Petersburg [Florida], 1985, p. 134 (reversed image)
• Museums in Cologne, Prestel, Munich, 1986, p. 123
• Takahiko Okada, Dalí, Shueisha, [S.l.], 1986, p. 81
• Josep Vallès i Rovira, Dalí delit Empordà, Carles Vallès, Figueres, 1987, p. 176
• Grands Peintres : Dalí, COGEDI-PRESSE, Paris, 1988, p. 3
• Conroy Maddox, Dalí, eccentric and genius, Benedick Taschen, Köln, 1990, p. 88-89
• René Passeron, Salvador Dalí, Ars Mundi, [S.l.], 1990, p. 104-105
• Eric Shanes, Dalí, Debate, Madrid, 1991, p. 137
• Luis Romero, PsicoDálico Dalí, Mediterranea, Barcelona, 1991, p.198
• Dalí, Cercle d'Art, Paris, 1994, il. 57
• Salvador Dalí, Polígrafa, Barcelona, 1994, il. 57
• Robert Descharnes, Gilles Néret, Salvador Dalí, 1904 -1989, Benedikt Taschen, Köln, 1994, p. 558-559
• Christopher Masters, Dalí, Phaidon, London, 1996, p. 23
• Gilles Néret, Salvador Dalí : 1904-1989, Evergreen (Benedikt Taschen), [Köln], 1996, p. 88
• Ralf Schiebler, Dalí : genius, obsession and lust, Prestel, Munich - New York, 1996, p. 100
• Robert Radford, Dalí, Phaidon, London, 1997, p. 286-287
• Dawn Ades, Fiona Bradley, Salvador Dalí: a mythology, Tate Gallery Publishing, London, 1998, title page (detail), p. 25 (sencera i detall)
• Salvador Dalí, Parkstone, England, 1999, p. 154-155
• Barbara Borngässer, Katalonien : Kunst - Landschaft - Architektur, Könemann, Köln, 2000, p. 407
• Dalí 1904-2004, Edicions 62, Barcelona, 2003, p. 116-117
• Les Essentiels de l'art Dalí, Ludion, Amsterdam, 2003, p. 356-357
• The Portable Dalí, Universe, New York, 2003, p. 356-357
• Javier Pérez Andújar, Salvador Dalí : a la conquista de lo irracional, Algaba, Madrid, 2003, n. p.
• Ricard Mas Peinado, Universdalí, Lunwerg, Barcelona, Madrid, 2003, p. 110
• Xavier Barral i Altet, Les Indigestions de Dalí, Edicions de 1984, Barcelona, 2003, p. 72
• Dalí et les plus grands photographes de son siècle : 1904-2004, Trabucaire, Canet, 2004, n. p. (indirect image)
• Alyse Gaultier, L'Abcdaire de Dalí, Flammarion, Paris, 2004, p. 64
• Enric Bou, Daliccionario : objetos, mitos y símbolos de Salvador Dalí, Tusquets, Barcelona, 2004, p. 34
• Françoise Lechien, Salvador Dalí au Château du Roeulx, QuArt, Bruxelles, 2004, p. 11 (imatge indirecta) (detall)
• Jean-Christophe Argillet, Le Siècle de Dali, Timée-Editions, Boulogne, 2004, p. 106 (detail)
• Jean-Louis Gaillemin, Dalí : master of fantasies, Harry N. Abrams, New York, 2004, p. 127
• Jean-Louis Gaillemin, Dali : le grand paranoïaque, Découvertes Gallimard Arts, Paris, 2004, p. 127
• Linde Salber, Salvador Dalí, Rowohlt, Reinbek bei Hamburg, 2004, p. 117
• Maria Lluïsa Borràs, Salvador Dalí : vida i obra d'un geni, Columna, Barcelona, 2004, n. p.
• Màrius Carol, Josep Playà i Maset, L'Enigma Dalí, Rosa dels Vents, Barcelona, 2004, n. p.
• Màrius Carol, Josep Playà i Maset, El Enigma Dalí, Plaza Janés, Barcelona, 2004, n. p.
• Silvia Borghesi, Dalí, Electa, Milán, 2004, p. 110, p. 111 (details)
• Dalí, Rizzoli, New York, 2005, p. 405
• Lucía García de Carpi, Salvador Dalí, Ambos Mundos, Salamanca, 2005, p. 123, p. 132 (detail)
• Salvador Dalí, Obra completa : Ensayos 2, Destino, Fundació Gala-Salvador Dalí, Sociedad Estatal de Conmemoraciones Culturales, [Madrid], [Figueres], Barcelona, 2005, p. 520 (reversed image)
• Salvador Dalí, Obra completa : Assaigs 2, Destino, Fundació Gala-Salvador Dalí, [Figueres], Barcelona, 2005, p. 512
• s. a., "The Grand Master of Surrealism Salvador Dali", Usa today magazine, 31/05/2005, McLean, VA, p. 39
• Salvador Dalí. La Gare de Perpignan: Pop , Op, Yes-Yes, Pompier, Museum Ludwig, Köln, 2006, cover, p. 5
• Jean-Gabriel Jonin, Jours intimes chez Dali, Rafael de Surtis, Éditinter, [Cordes-sur-Ciel], [Soisy-sur-Seine], 2006, n. p. (indirect image)
• Torsten Otte, Salvador Dalí : Eine Biographie mit Selbstzeugnissen des Künstlers, Königshausen & Neumann, Würzburg, 2006, p. 109
• Agustín Sánchez Vidal, Salvador Dalí, Fundación Mapfre. Instituto de Cultura, Madrid, 2007, p. 119
• The Dalí renaissance : new perspectives on his life and art after 1940, Philadelphia Museum of Art, Philadelphia, 2008, p. 2 (indirect image)
• Mary Ann Caws, Salvador Dalí, Reaktion Books, London, 2008, p. 159
• Salvador Dalí : the late work, High Museum of Art, Yale University Press, Atlanta, New Haven and London, 2010, p. 46
• Ralf Schiebler, Dalí : the reality of dreams, Prestel, New York, Munich, London, 2011, p. 100
• Daniel R. Caruncho, Salvador Dalí, las obras de su vida, Dos de Arte, Barcelona, 2015, p. 77
• Gabriel Montua, Dalís 20. Jahrhundert : die westliche Kunst zwischen Politik, Markt und Medien, De Gruyter, Berlin, Boston, 2015, p. 436

The copyright on Salvador Dalí's works, included those that are reproduced in this Web page, is held by the Spanish State and has been granted in exclusivity to the Fundació Gala-Salvador Dalí.

Pursuant to intellectual property laws in force, the total or partial reproduction, distribution, transformation, public communication, interactively making available to the public, as well as any other exploitation, by any means, of the works included in this Web page is prohibited.

Any exploitation of Salvador Dalí's works is subject to the prior application and clearance of the relevant licence issued by VEGAP (tel. 91 532 66 32 and 93 201 03 31 ; www.vegap.es). Copyright infringement will be prosecuted according to Laws.