Le sphinx de sucre (The Sugar Sphinx)

• Viscount of Noailles
• Julien Levy Gallery, New York
• Mrs. J. J. O'Donohue
• E. and A. Reynolds Morse, Cleveland (Ohio)

• 1934, París, Jacques Bonjean, Exposition Dali, 20-6-1934 - 13-7-1934, cat. no. 29
• 1934, New York, Julien Levy Gallery, Dali, 21-11-1934 - 10-12-1934, cat. no. 10
• 1965, New York, Gallery of Modern Art, Salvador Dalí, 1910-1965, 18-12-1965 - 13-3-1966, cat. no. 53
• 1998, Liverpool, Tate Gallery Liverpool, Salvador Dalí: a mythology, 21-10-1998 - 31-1-1999, cat. no. 25
• 1999, Fukuoka, Fukuoka Asian Art Museum, Dali exhibition 1999, 28-8-1999 - 24-10-1999, cat. no. 24
• 2006, Köln, Museum Ludwig, Salvador Dalí : La gare de Perpignan - Pop, Op, Yes-yes, Pompier, 18-3-2006 - 25-6-2006, cat. no. 39
• 2008, K. E. Silver, Bruce Museum, Paris portraits. Artists, Friends, and Lovers, 27-9-2008 - 4-1-2009, p. 87

• Salvador Dalí, The IMS Press, Cleveland [Ohio], 1954, p. 41
• A. Reynolds Morse, Michel Tapié, Dalí: a study of his life and work, New York graphic Society, Greenwich [Connecticut], 1958, p. 37
• Salvador Dalí, 1910-1965, The Foundation for Modern Art, New York, 1965, p. 61
• Max. Gérard, Dalí de Draeger, Blume, Barcelona, 1968, il. 31
• Ninety-three oils by Salvador Dalí : 1917-1970, The Salvador Dalí Museum, Cleveland, 1973, p. 155
• Salvador Dalí ... a panorama of his art, The Salvador Dalí Museum, Cleveland, 1974, p. 65, p. 155
• Jacques Dopagne, Dalí, Fernand Hazan, Paris, 1974, il. 29 (detail)
• Salvador Dalí, René Passeron, Salvador Dalí, Filipacchi, Paris, 1978, p. 94
• Salvador Dalí, selected works, Filipacchi, New York, 1979, p. 94
• Hommage à Dalí, Vilo, Paris, 1980, p. 73
• Jacques Dopagne, Dalí, Fernand Hazan, Paris, 1985, il. 29
• Sarane Alexandrian, Dalí, Fernand Hazan, Paris, 1985, il. 29 (detail)
• Salvador Dalí, The Tragic myth of Millet's Angelus, The Salvador Dalí Museum, St. Petersburg, 1986, p. 66 (detail), p. 76
• Dalí: the Salvador Dalí museum collection, Bulfinch, Boston. Toronto. London, 1991, il. 48
• Carlos Rojas, Salvador Dalí, or the art of spitting on your mother's portrait, The Pennsylvania State University Press, University Park [Pennsylvania], 1993, il. 9
• Marco Di Capua, Dalí, Librairie Gründ, Paris, 1994, p. 144 (detail)
• Robert Descharnes, Gilles Néret, Salvador Dalí, 1904 -1989, Benedikt Taschen, Köln, 1994, p. 198 (detail)
• Whitney Chadwick, Mith in surrealist painting 1929-1939: Dalí, Ernst, Masson, UMI Dissertation Service, [Michigan], 1994, p. 250
• Kenneth Wach, Salvador Dalí : masterpieces from the collection of the Salvador Dalí Museum, Harry N. Abrams, Salvador Dalí Museum, St. Petersburg, Florida, New York, 1996, p. 69
• Dawn Ades, Fiona Bradley, Salvador Dalí: a mythology, Tate Gallery Publishing, London, 1998, p. 67
• Dali exhibition 1999, NTV Europe B.V., [S.l.], 1999, p. 89
• Robert S. Lubar, The Salvador Dalí Museum collection, Bulfinch, Boston - New York - London, 2000, p. 81
• William Jeffett, Joan Fontcuberta, Imaginary gardens : mapping Dalí's landscapes, Salvador Dalí Museum exhibition series, St. Petersburg, Florida, 2003, p. 32
• Salvador Dalí : La gare de Perpignan - Pop, Op, Yes-yes, Pompier, Hatje Cantz, Ostfildern, 2006, p. 89
• Salvador Dalí, Instituto Tomie Ohtake, Sao Paulo, 2014, p. 64
• Estrella de Diego, Gala Salvador Dalí : una habitació pròpia a Púbol, Museu Nacional d’Art de Catalunya, Barcelona, 2018, p. 154

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Any exploitation of Salvador Dalí's works is subject to the prior application and clearance of the relevant licence issued by VEGAP (tel. 91 532 66 32 and 93 201 03 31 ; www.vegap.es). Copyright infringement will be prosecuted according to Laws.