La persistance de la mémoire (The Persistence of Memory)

• Galerie Pierre Colle, Paris
• Julien Levy Gallery, New York
• Purchased from Julien Levy by Helen Resor as a gift, 1934

• According to the New York Times dated November 22, 1933, this painting was shown at the exhibition held at the Julien Levy Gallery, New York, from November 21st to December 8th 1933. The exhibition catalogue does not mention the painting, but the "New York Times" article indicates that this work was included as part of the show.

• 1931, París, Pierre Colle, Exposition Salvador Dalí, 3-6-1931 - 15-6-1931, cat. no. 23
• 1931, Hartford, Connecticut, Wadsworth Atheneum, Newer super-realism, Novembre 1931, cat. no. 7
• 1932, New York, Julien Levy Gallery, Surrealism, 9-1-1932 - 29-1-1932, cat. no. 6
• 1932, [Cambridge], The Harvard Society for Contemporany Art, Surréalisme, 15-2-1932 - 6-3-1932, cat. no. 6
• 1932, Norwich, Connecticut, Slater Memorial Museum, Trends in Twentieth Century Paintings, 11-4-1932 - 26-4-1932, cat. no. 11
• 1933, Hartford, The Wadsworth Atheneum and Morgan Memorial, An exhibition of literature & poetry in painting since 1850, 24-1-1933 - 14-2-1933, cat. no. 17
• 1933, New York, Julien Levy Gallery, Exhibition of Paintings by Salvador Dalí, 21-11-1933 - 8-12-1933, not included in catalogue
• 1934, Chicago, The Art Institute of Chicago, Catalogue of a century of progress exhibition of paintings and sculpture 1934, 1-6-1934 - 1-11-1934, cat. no. 340
• 1934, New York, The Museum of Modern Art, Modern Works of Art : 5th Anniversary Exhibition, 20-11-1934 - 20-1-1935, cat. no. 61
• 1935, New York, The Museum of Modern Art, Summer Exhibition: The Museum Collection and a Private Collection on Loan, 4-6-1935 - 24-9-1935,
• 1935, New York, The Museum of Modern Art, Living Realists and Surrealists, 4-11-1935 - 5-1-1936,
• 1936, New York, The Museum of Modern Art, Fantastic art dada surrealism, 9-12-1936 - 17-1-1937, cat. no. 315
• 1939, Buffalo, Albrigh Knox Art Gallery, Room for Contemporary Art, 13-2-1939 - 13-3-1939,
• 1939, New York, The Museum of Modern Art, Art in Our Time: 10th Anniversary Exhibitions: Painting, Sculpture and Prints, 10-5-1939 - 30-9-1939,
• 1941, New York, The Museum of Modern Art, Salvador Dalí, 19-11-1941 - 11-1-1942, cat. no. 9
• 1942, Indianapolis, The John Herron Art Institute (Indianapolis Museum of Art), [Exhibition of paintings by Salvador Dali], 5-4-1942 - 4-5-1942, cat. no. 9
• 1943, Detroit, Detroit Institute of Arts, Exhibition of paintings by Salvador Dali, 15-3-1943 - 12-4-1943, no reference
• 1955, Poughkeepsie, Vassar College, Exhibition of Modern Paintings lent by The Museum of Modern Art, 20-5-1955 - 20-6-1955,
• 1963, Washington. D.C., National Gallery of Art, Paintings from The Museum of Modern Art, New York, 16-12-1963 - 22-3-1964,
• 1968, New York, The Museum of Modern Art, Dada, surrealism, and their heritage, 27-3-1968 - 9-6-1968, cat. no. 64
• 1977, París, Musée National d'Art Moderne, Paris/New York, 1-6-1977 - 19-9-1977,
• 1979, París, Centre Georges Pompidou, Musée National d'Art Moderne, Salvador Dalí: rétrospective, 1920-1980, 18-12-1979 - 21-4-1980, cat. no. 105
• 1980, London, The Tate Gallery, Salvador Dalí, 14-5-1980 - 29-6-1980, cat. no. 64
• 1994, New York, The Metropolitan Museum of Art, Salvador Dali: the Early Years, 28-6-1994 - 18-9-1994,
• 2000, Nova York, The Museum of Modern Art, Modern art despite Modernism, 16-3-2000 - 26-7-2000, p. 129
• 2001, Tokyo, Ueno Royal Museum, Masterworks from The Museum of Modern Art, 1900-1955, 6-10-2001 - 3-2-2002, cat. no. 16
• 2002, St. Petersburg, Florida, Salvador Dalí Museum, 20th Anniversary Exhibition, 8-3-2002 - 8-6-2002,
• 2003, Houston, The Museum of Fine Arts, The Heroic Century: The Museum of Modern Art's Masterpieces, 200 Paintings and Sculptures, 21-9-2003 - 4-1-2004,
• 2004, Berlin, Neue Nationalgalerie, MoMA in Berlin: Masterworks from The Museum of Modern Art, 18-2-2004 - 19-11-2004,
• 2004, Venezia, Palazzo Grassi, Dalí, 12-9-2004 - 16-1-2005, cat. no. 89
• 2007, London, Tate Modern, Dalí & Film, 1-6-2007 - 9-9-2007, il. 74
• 2009, Figueres, Teatre-Museu Dalí, Préstec temporal a la Fundació Gala-Salvador Dalí, 16-1-2009 - 18-3-2009,
• 2010, Atlanta, High Museum of Art, Salvador Dalí: The late work, 7-7-2010 - 9-2-2011, cat. no. 4
• 2012, París, Centre Pompidou, Dalí, 21-11-2012 - 25-3-2013, p. 137
• 2013, Madrid, Museo Nacional Centro de Arte Reina Sofía, Dalí. Todas las sugestiones poéticas y todas las posibilidades plásticas, 27-4-2013 - 2-9-2013, p. 265

• El Arte y el mundo moderno, Planeta, Barcelona, [s.d.], p. 100
• Edward Alden Jewell, "From Fantin-Latour to Surrealism", New York Times, 17/01/1932, New York, n. p. (detail)
• "Exhibit of modern art draws many out of town visitors", 23/04/1932, Norwich, Conn., n. p. (detail)
• López Torres, "Surrealismo y revolución", Gaceta de Arte, 31/10/1932, Tenerife, p. 34
• Exhibition of paintings by Salvador Dali, Julien Levy Gallery, [Nova York], [1933], n. p.
• s. a., "Tristan Tzara minuit", Spektrum, 1933, Stockholm, p. 36
• Modern works of art : fifth anniversary exhibition, The Museum of Modern Art, New York, 1934, il. 61
• s. a., "Named most Curious Paintin in World's Fair Exhibit", Chicago Daily Tribune, 08/09/1934, Chicago, n. p. (detail)
• Whitley Noble, "Superrealism Is Contributor to Art", Chicago Daily Tribune, 21/10/1934, Chicago, n. p.
• s. a., "Frozen nightmares", Time, 26/11/1934, New York, n. p.
• James Thrall Soby, After Picasso, Dodd, Mead, New York, 1935, il. 57
• Salvador Dalí, La Conquête de l'irrationnel, Éditions Surréalistes, Paris, 1935, il. 8
• s. a., "Accessions", The Bulletin of The Museum of Modern Art, 31/01/1935, New York, NY, p. 4
• H.G. Thompson, "If you were in New York", Arts and Decoration, 31/03/1935, New York, NY, p. 46
• Jr. Alfred H. Barr, Fantastic Art Dada Surrealism, The Museum of Modern Art, New York, 1936, il. 315
• Julien Levy, Surrealism, The Black Sun Press, New York, 1936, p. 167
• s. a., "Surrealism on parade", Life, 14/12/1936, Chicago, Ill., p. 25
• Vilhem Bjerke-Petersen, Surrealismens Billedverden, Arthur Jensens Forlag, Copenhague, 1937, p. 39 (detail)
• James Thrall Soby, Salvador Dalí, The Museum of Modern Art, New York, 1941, p. 39
• s. a., "Preoccupation with time", Vogue, 15/04/1941, New York, NY, p. 43
• Salvador Dalí, The Secret Life of Salvador Dalí, Dial Press, New York, 1942, dustjacket
• E. Mac Causland, "Dali and Miro at The Smith College Museum", Republican, 01/02/1942, Springfield, Mass., n. p. (detail)
• W. H. Cunningham, "[He may not be the best but he is...]", News, 28/02/1942, Cleveland, O., n. p. (detail)
• Stephen S. Kaiser, "Salvador Dali's search for heaven", The Pacific Art Review, 21/12/1942, San Francisco, p. 38
• Jr. Alfred H. Barr, What is modern painting?, The Museum of Modern Art, New York, 1943, p. 32
• María Luisa Caturla, Arte de épocas inciertas, Arbor, Madrid, 1944, between pp. 16-17
• Georges Lemaitre, From cubism to surrealism in French literature, Oxford University, Harvard University, Cambridge [Mass.], London, 1945, cover
• Winthrop Sargeant, "Dali", Life, 24/09/1945, [chicago], p. 64
• Salvador Dalí, "[Sirs: never in my...]", Life, 15/10/1945, Chicago, Ill., n. p. (detail)
• Juan Cortés, "Salvador Dalí", Liceo, 31/12/1945, Barcelona, n. p. (detail)
• A. Oriol Anguera, Mentira y verdad de Salvador Dalí, Cobalto, Barcelona, 1948, p. XIX
• s. a., "This Week's Cover", Los Angeles Times, 01/02/1948, Los Angeles, n. p. (detail)
• J.a. Gaya Nuño, "Esquema de Salvador Dalí", Cobalto, 15/07/1948, Barcelona, p. 38
• Jay Delss, "How modern art is influencing advertising", Printers' Ink, 25/11/1949, New York, n. p. (detail)
• Juan Antonio Gaya Nuño, Salvador Dalí, Omega, Barcelona, 1950, il. 13
• Jose Mª Massip, "Dali hoy", Destino, 01/04/1950, Barcelona, p. 4
• Manuel del Arco, Salvador Dalí, Dalí al desnudo, José Janés, Barcelona, 1952, p. 49 (detail)
• s. a., "Canvas Gets The Brush-off", Pageant, 31/01/1952, Chicago, Ill., p. 152
• Louis Blackburn, "The Mustache...... (It's a Dilly)", The Houston Press, 12/02/1952, Houston, Tex., n. p.
• J. J. Tharrats, "Un museo de arte moderno de Nueva York", Revista, 04/09/1952, Barcelona, n. p.
• Gullermo De Torre, "El "caso" Dali", La Nacion, 25/01/1953, Buenos Aires, n. p.
• s. a., "What do you know about art?", Vogue, 01/05/1953, New York, NY, p. 124 (detail)
• Angel Benito, "Salvador Dali, Almirante en Port Lligat", La Actualidad Española, 29/09/1955, Madrid, p. 23
• Catalog of works by Salvador Dalí in public museum collections, The Reynolds-Morse Foundation, Cleveland [Ohio], 1956, p. 13
• Alfred Schmeller, Surrealism, Methuen, London, 1956, p. 29
• Charles Estienne, Le Surréalisme, Aimery Somogy, Paris, 1956, p. 33
• Juan-Eduardo Cirlot, Arte contemporáneo, EDHASA, Barcelona, 1958, il. 105
• Gianni Finlandia, "Salvador Dali aspetta un cavolfiore", Corriere Mercantile, 02/07/1958, Genova, n. p.
• Marcel Jean, Histoire de la peinture surréaliste, Éditions du Seuil, Paris, 1959, p. 212
• Gerald Kloss, "A Method in His Madness", Journal, 22/04/1960, Milwaukee, Wis., n. p.
• Harold Rosenberg, "Midas with a Waxed Moustache", Saturday Review, 14/05/1960, New York, NY, p. 22
• Gustav René Hocke, El Manierismo en el arte europeo de 1520 a 1650 y en el actual, Guadarrama, Madrid, 1961, n. p. (detail)
• K. K., "Landmarks of modern art", The Saturday Review, 13/05/1961, New York, NY, n. p.
• Douglas Watson, "Painting a dream-world", The Australian Women's Weekly, 07/03/1962, Sydney, Au, p. 46
• Deborah Kovacs, "Dollars to Dali", Long Island Post, 04/02/1965, Flushing, N. Y., p. [5]
• John RICHARDSON, "School for scandal forty years on", The Sunday Times Magazine, 14/11/1965, Londres, UK, p. 31
• Chagall, Dalí, Ernst, Kawade Shobo, [S.l.], 1966, Il. 31
• Martin Esslin, "Naw all artists are surrealists", New York Times, 22/05/1966, New York, n. p. (detail)
• Joseph-Émile Muller, L'Art au XXe siècle, Larousse, Paris, 1967, p. 132
• Paul H. Walton, Dali / Miró, Tudor Publishing Company, New York, 1967, il. 7
• Robert Lebel, L'Arte moderna : metafisica, dada, surrealismo, Fratelli Fabbri, Milano, 1967, p. 259
• s. a., ""Idle Hands" Neurosis", Thuth, 03/06/1967, Elkhart, Ind., p. 3 (detail)
• Robert Lebel, "Il surrealismo: Tanguy, Dalí, Brauner, Dominguez e altri", L'Arte Moderna, 31/12/1967, Milano, p. 259 (detail)
• Max. Gérard, Dalí de Draeger, Blume, Barcelona, 1968, cover (detail)
• William S. Rubin, Dada, surrealism, and their heritage, The Museum of Modern Art, New York, 1968, p. 111
• Charlotte Lichtblau, "Dada, Surrealism: Potent Beginnings", Diari Philadelphia, 31/03/1968, Philadelphia, Pa., n. p.
• Katharine Kuh, "A Fury That Scorched", Saturday Review, 27/08/1968, New York, N.y., p. 56
• Carlton Lake, In quest of Dali, G.P. Putnam's Sons, New York, 1969, n. p. (detail)
• Sarane Alexandrian, Dalí peintures, Fernand Hazan, Paris, 1969, p. 3
• Robert Lebel, "Le Dali de tout le monde ou la psychopathologie commercialisée", L'oeil, 31/01/1969, Paris, n. p. (detail)
• A. Reynolds Morse, A Dalí primer, The Reynolds-Morse Foundation, Cleveland [Ohio], 1970, p. 23
• s. a., "An Age Rejects History", The Washington Post, 30/05/1971, Washington, n. p. (detail)
• Juan-Eduardo Cirlot, Arte del siglo XX, Labor, Barcelona, 1972, p. 514
• Michel Conil Lacoste, Salvador Dalí, "Dalí, il genio delirante (coberta)", BolaffiArte, 06/1972, Torino, p. 59
• Ninety-three oils by Salvador Dalí : 1917-1970, The Salvador Dalí Museum, Cleveland, 1973, p. 174
• Salvador Dalí : a guide to his works in public museums, The Dalí Museum, Cleveland [Ohio], 1973, p. [40]
• Helen M. Franc, An invitation to see : 125 paintings from the Museum of Modern Art, The Museum of Modern Art, New York, 1973, p. 86
• José Pierre, Dictionnaire de poche : le Surréalisme, Fernand Hazan, Paris, 1973, p. 46
• Salvador Dalí ... a panorama of his art, The Salvador Dalí Museum, Cleveland, 1974, p. 174
• Jacques Dopagne, Dalí, Fernand Hazan, Paris, 1974, il. 59
• Tadao Ogura, Robert Descharnes, L'Art moderne du monde, Shueisha, Tokyo, 1974, il. 22, p. 103
• Mari Rodríguez Ichaso, "El Museo de arte Moderno de Nueva York", Vanidades Continental, 10/06/1974, Panamá, p. 34
• Le Surréalisme, XXe siècle, Paris, 1975, p. [117]
• Luis Romero, Todo Dalí en un rostro, Blume, Madrid, Barcelona, 1975, p. 166
• Paul R. Chimera, "Salvador Dali: Limp Watches and Abraham Lincoln", Tonawanda News, 16/10/1976, Tonawanda, NY, n. p.
• Carlo Munari, Arte del mundo moderno : del neoclásico al pop-art, Teide, Barcelona, 1977, p. 324
• Calvin Tomkins, Duchamp et son temps : 1887-1968, Time-Life International, Nederland, 1978, p. 139
• José Pierre, Le Surréalisme, Fernand Hazan, Paris, 1978, n. p.
• Robert Descharnes, S. Terayama, Dalí: the book of great masters, Zauho, Tokyo, 1978, il. 6 (detail)
• Petit journal Salvador Dalí, Centre Georges Pompidou, [París], 1979, p. 173
• Salvador Dalí: rétrospective, 1920-1980, Centre Georges Pompidou, Musée National d'Art moderne, Paris, 1979, p. 173
• DALI, The Tate Gallery, [London], 1980, il. 9
• Hommage à Dalí, Vilo, Paris, 1980, p. 31
• Salvador Dalí, The Tate Gallery, London, 1980, il. 64
• Cesáreo Rodríguez-Aguilera, Salvador Dalí, Nauta, Barcelona, 1980, il. 18
• José Pierre, Détumescence et durée dans l'oeuvre de Salvador Dali, Centre Georges Pompidou, Paris, 1980, p. 10
• José Pierre, "Detumescence et durée dans l'oeuvre de salvador dalí et dans celle de claes oldenburg", Cahiers Du Musée National D'art Moderne, 31/01/1980, Paris, n. p.
• Concha Alzola, "La retrospectivas de Dali", Vanidades Continental, 01/04/1980, Panama City, Fl, n. p.
• Josep Pla, Salvador Dalí (il.), Obres de museu, DASA, Figueres, 1981, p. 77
• Guglielmo Bernardi, "Salvador Dalí", Pan, 04/1981, Offenburgh, cover (detail)
• Dictionnaire général du surréalisme et ses environs, Office du Livre, Fribourg [Suisse], 1982, p. 432
• Brassaï, Les Artistes de ma vie, Denoël, Paris, 1982, p. 31 (indirect image) (detail)
• Dawn Ades, Dalí and surrealism, Harper & Row, New York, 1982, p. 179
• René Passeron, Enciclopedia del surrealismo, Polígrafa, Barcelona, 1982, p. 144, dustjacket (detail)
• Clarà, Dalí, Monturiol, Pla, Vayreda, Diputació Provincial de Girona, Nou Art Thor, Girona, Barcelona, 1983, p. 14
• El Surrealismo, Cátedra, Madrid, 1983, p. [134]
• Conroy Maddox, Dalí, Benedick Taschen, Köln, 1983, p. 24-25
• Conroy Maddox, Dalí, Newness Books, Feltham [Middlesex], 1983, p. 24-25
• Ignacio Gómez de Liaño, Dalí, Polígrafa, Barcelona, 1983, il. 42
• Jaume Socias, Dalí, Nou Art, Barcelona, 1983, p. 14 (detail)
• Pierre Cabanne, El Arte del siglo veinte, Polígrafa, Barcelona, 1983, p. 113
• Dalí, Sarpe, Madrid, 1984, il. 13, p. 86
• The Lucas collection of Dalí originals, The Salvador Dalí Foundation, St. Petersburg [Florida], [1984], p.
• Rafael Santos Torroella, La Miel es más dulce que la sangre : las épocas lorquiana y freudiana de Salvador Dalí, Seix-Barral, Barcelona, 1984, p. 190
• s. a., ""Steine aus dem Himmel unseres Kindes"", Der Spiegel, 28/05/1984, Hamburg, p. 233 (detail)
• s. a., ""Ich war phänomenal"", Der Spiegel, 17/09/1984, Hamburg, p. 226 (detail)
• Claire Péliss, "Le Maniérisme et Salvador Dalí", L'oeil, 30/11/1984, Lausanne, p. 38
• Rosemary Lambert, Introducción a la historia del arte : el siglo XX, Gustavo-Gili, Círculo de Lectores, Barcelona, 1985, p. 51
• Rosemary Lambert, Introducción a la historia del arte : el siglo XX, Gustavo-Gili, Círculo de Lectores, Barcelona, 1985, p. 51
• Sarane Alexandrian, Dalí, Fernand Hazan, Paris, 1985, cover (detail), il. 59
• Joseph-Émile Muller, Frank Elgar, La Peinture moderne, Fernand Hazan, Paris, 1986, p. 102
• Takahiko Okada, Dalí, Shueisha, [S.l.], 1986, p. 64, p. 65
• William Skaff, The Philosophy of T. S. Eliot, University of Philadelphia Press, Philadelphia, 1986, cover i guarda
• Josep Vallès i Rovira, Dalí delit Empordà, Carles Vallès, Figueres, 1987, p. 93
• Simon Wilson, La Peinture surréaliste, Ars Mundi, [S.l.], 1987, il. 27
• Grands Peintres : Dalí, COGEDI-PRESSE, Paris, 1988, cover, p. 2
• Agustín Sánchez Vidal, Buñuel, Lorca y Dalí: el enigma sin fin, Planeta, Barcelona, 1988, p. 195 (detail)
• Salvador Dalí, 1904-1989, Gerd Hatje, Stuttgart, 1989, p. 144
• Salvador Dalí, Meisterwerke der dreissiger Jahre, Schirmer-Mosel, München, 1989, il. 8
• Maria Lluïsa Borràs, Rafael Santos Torroella, "Port Lligat y la persistencia de la memoria", LA VANGUARDIA, 24/01/1989, Barcelona, p. 47
• Maria Lluïsa Borràs, "La fascinación de la pintura de Dalí", LA VANGUARDIA, 29/01/1989, Barcelona, n. p. (detail)
• s. a., "Eterna permanencia", Blanco y Negro, 29/01/1989, Madrid, p. 20 (detail)
• Michel Déon, Marie-France Saurat, "Dali, la saga du dernier geant du Surrealisme", Paris Match, 02/02/1989, Paris, p. 77 (detail)
• Richard Lacayo, "Outrageous to the tips of his rapier mustache and tro the end, Salvador Dalí was the surreal thing", People, 06/02/1989, s. l., p. 107 (detail)
• Los Dalís de Dalí: colección del museo nacional centro de arte reina Sofía, Centro cultural/Arte contemporaneo, México D. F., 1990, p. 23
• Juan Gyenes, Picasso, Dalí, Miró, Eudema, Madrid, 1990, p. 189
• Paul Moorhouse, Dalí, Magna Books, Wigston [Anglaterra], 1990, p. 48-49
• Sidra Stich, Anxious visions: surrealist art, University Art Museum, Abbeville, New York, Berkeley, 1990, p. 29
• Luis Romero, PsicoDálico Dalí, Mediterranea, Barcelona, 1991, p. 68
• Alessandr Rogin, [Salvador Dalí : el mite i la realitat], Republica, Moscou, 1992, p. 48
• Diane Waldman, Collage, assemblage, and the found object, Phaidon Press, London, 1992, p. 180
• Paul, Max et les autres : Paul Eluard et les surréalistes, L'Albaron, Musée d'Art et d´Histoire, Thonon-les-Bains [Haute-Savoie], Saint-Denis, 1993, p. 71 (indirect image)
• Summa artis|Pintura y escultura española del siglo XX : 1900-1939, Espasa-Calpe, Madrid, 1993, p. 488
• Carlos Rojas, Salvador Dalí, or the art of spitting on your mother's portrait, The Pennsylvania State University Press, University Park [Pennsylvania], 1993, il. 5
• Jaime Brihuega, Miró y Dalí: los grandes surrealistas, Anaya, Madrid, 1993, p. 65
• Mike Venezia, Salvador Dalí, Children Press, Chicago, 1993, cover, p. 4-5
• El Surrealismo en España, Museo Nacional Centro de Arte Reina Sofía, [Madrid], 1994, p. 60
• Agustín Sánchez Vidal, Dalí, Alianza, Madrid, 1994, il. 4
• Amanda Lear, La Persistencia de la memoria : una biografía personal de Salvador Dalí, Diana, México, 1994, p. 5
• Marco Di Capua, Dalí, Librairie Gründ, Paris, 1994, p. 118-119
• Nathaniel Harris, The Life and works of Dalí, Parragon, [Regne Unit], 1994, p. 20
• Robert Descharnes, Gilles Néret, Salvador Dalí, 1904 -1989, Benedikt Taschen, Köln, 1994, p. 163
• Dalí, Miró, Picasso e il surrealismo spagnolo, Skira, Milano, 1995, p. 38
• Dickran Tashjian, A boatload of madmen : Surrealism and the American avant-garde, 1920-1950, Thames and Hudson, New York, New York, 1995, p. [139]
• Sarane Alexandrian, Surrealist art, Thames and Hudson, London, 1995, p. 97
• New history of world art, Shogakukan, [S.l.], 1996, il. 4
• Christopher Masters, Dalí, Phaidon, London, 1996, p. 69, p. 128
• Gilles Néret, Salvador Dalí : 1904-1989, Evergreen (Benedikt Taschen), [Köln], 1996, cover, p. 26
• Haim Finkelstein, Salvador Dalí's art and writing, 1927-1942 : the metamorphoses of Narcissus, Cambridge University Press, Cambridge, 1996, p. 147
• Ralf Schiebler, Dalí : genius, obsession and lust, Prestel, Munich - New York, 1996, p. 76
• Fiona Bradley, Surrealism, Tate Gallery, London, 1997, p. 61
• Gérard Durozoi, Histoire du mouvement surréaliste, Hazan, Paris, 1997, p. 209
• Ian Gibson, The Shameful life of Salvador Dalí, Faber and Faber, London, 1997, il. XXIII
• Matthew Gale, Dada & surrealism, Phaidon, London, 1997, p. 376-377
• Robert Radford, Dalí, Phaidon, London, 1997, p. 147
• Julien Levy: portrait of an art gallery, The MIT Press, Cambridge, Massachusetts, London, England, 1998, p. 68
• Haim Finkelstein, The Collected writings of Salvador Dalí, Cambridge University Press, Cambridge, 1998, dustjacket
• Pascal Bonafoux, Christophe Valentin (il.), La Beauté comestible : à propos de Dalí et les aliments, Plume, Paris, 1998, p. 148
• Robert Goff, The Essential Salvador Dalí, Harry N. Abrams, New York, 1998, p. 56-57
• Moma highlights : 325 works from the Museum of Modern Art, New York, The Museum of Modern Art, New York, 1999, p. 154
• Salvador Dalí, Parkstone, England, 1999, p. 62
• Agustín Sánchez Vidal, Salvador Dalí, Electa, Madrid, 1999, p. 33
• Mª Teresa Jiménez Priego, Dalí, joyero del siglo XX, Universidad Nacional de Educación a Distancia, Madrid, 1999, p. 70
• Brassaï, Centre Pompidou / Seuil, Paris, 2000, p. 161 (indirect image) (detail)
• Dalí's optical illusions, Wadsworth Atheneum Museum of Art, Hartford, Connecticut, 2000, p. 39, p. 43 (indirect image)
• Dreams 1900-2000 : science, art, and the unconscious mind, Cornell University Press, Bighamton University Art Museum, State University of New York, Bighamton, N.Y., New York, Ithaca, NY, 2000, p. 160
• Masterpieces of surrealism, Salvador Dalí Museum, St. Petersburg, Florida, 2000, p. 52 (indirect image)
• Robert Hughes, El Impacto de lo nuevo : el arte en el siglo XX, Galaxia Gutenberg, Círculo de Lectores, Barcelona, 2000, p. 239
• Robert Stork, Modern art despite Modernism, The Museum of Modern Art, New York, 2000, p. 129
• Ángel González García, El Resto : una historia invisible del arte contemporáneo, Museo de Bellas Artes de Bilbao, Museo Nacional Centro de Arte Reina Sofía, Bilbao, Madrid, 2000, p. 152 (detail)
• Grandes maestros de la pintura : Dalí, Altaya, Barcelona, 2001, p. 28, p. 28 (4 details), p. 29
• Masterworks from the Museum of Modern Art, New York : 1900-1955, [Museum of Modern Art], [Japó], [2001], p. 53
• Alberto Mario Perrone, Salvador Dalí, escándalo, transgresión y genio, Longseller, Buenos Aires, 2001, p. 100
• René Passeron, Surrealism, Finest, Pierre Terrail, Paris, 2001, p. 96-97
• Antoni Gaudí Salvador Dalí, Loft, Barcelona, 2002, dustjacket (2 details), p. 36, p. 37 (detail)
• Gérard Durozoi, Le Surréalisme, Hazan, Paris, 2002, p. 45 (detail), p. 55
• Gérard Durozoi, History of the surrealist movement, The University of Chicago Press, Chicago, London, 2002, p. 205
• Ingrid Schaffner, Salvador Dalí's Dream of Venus : the surrealist funhouse from the 1939 World's Fair, Princeton Architectural Press, New York, 2002, p. 54 (indirect image)
• Jean-Louis Gaillemin, Salvador Dalí : désirs inassouvis du purisme au surréalisme, 1925-1935, La Passage, Paris-New York, 2002, il. 23
• Joan Castellar-Gassol, Dalí : una vida perversa, Edicions de 1984, Barcelona, 2002, p. III
• Juan Antonio Ramírez, Dalí: lo crudo y lo podrido, A. Machado Libros, Madrid, 2002, p. 39
• Robert Anderson, Salvador Dalí, Franklin Watts, London, Sydney, 2002, cover, p. 21
• Dalí 1904-2004, Edicions 62, Barcelona, 2003, p. 102-103
• Les Essentiels de l'art Dalí, Ludion, Amsterdam, 2003, p. 110-111
• The Portable Dalí, Universe, New York, 2003, p. 110-111
• Eric Zafran, Paul Paret, Surrealism and modernism: from the collection of the Wadsworth Atheneum, Wadsworth Atheneum Museum of Art, Yale University Press, New Haven and London, Hartford, 2003, p. 78 (indirect image)
• Javier Pérez Andújar, Salvador Dalí : a la conquista de lo irracional, Algaba, Madrid, 2003, n. p.
• Lluís Llongueras, Todo Dalí : vida y obra del personaje más genial y espectacular del siglo XX, Generalitat de Catalunya, [Barcelona], 2003, p. LXI
• Llàtzer Moix, La Costa Brava, Triàngle Postals, Menorca, 2003, p. 97
• Michael Elsohn Ross, Salvador Dalí and the surrealists, their lives and ideas : 21 activities, Chicago Review Press, Chicago, 2003, cover, p. VI (detail), p. 68
• Montse Gisbert, Salvador Dalí, pinta'm un somni, Serres, Barcelona, 2003, n. p.
• Ricard Mas Peinado, Universdalí, Lunwerg, Barcelona, Madrid, 2003, p. 40
• Xavier Barral i Altet, Les Indigestions de Dalí, Edicions de 1984, Barcelona, 2003, p. 87
• Art in our time : a chronicle of the Museum of Modern Art, Museum of Modern Art, New York, 2004, p. 236 (indirect image)
• Dalí, Bompiani, [Milà], 2004, p. 149, p. 150 (detail), p. 483 (indirect image)
• El Discòbol, Trabucaire, Canet, 2004, p. [45] (indirect image)
• Obra completa : Álbum, Destino, Fundació Gala-Salvador Dalí, Sociedad Estatal de Conmemoraciones Culturales, [Madrid], [Figueres], Barcelona, 2004, p. 76, p. 79 (indirect image), p. 89 (indirect image), p. 142 (indirect image)
• Persistence and memory : new critical perspectives on Dalí centennial, Bompiani, [Milà], 2004, p. 30
• Salvador Dalí i Federico García Lorca : la persistència de la memòria, Viena, Generalitat de Catalunya. Departament de Cultura., Barcelona, 2004, p. 16
• Alyse Gaultier, The Little book of Dalí, Flammarion, Paris, 2004, cover (detail), p. 2 (detail), p. 88-89
• Alyse Gaultier, L'Abcdaire de Dalí, Flammarion, Paris, 2004, cover (detail), p. 2 (detail), p. 90
• Cathrin Klingsöhr-Leroy, Surrealismo, Taschen, Köln, [etc.], 2004, p. 38-39
• Enric Bou, Daliccionario : objetos, mitos y símbolos de Salvador Dalí, Tusquets, Barcelona, 2004, p. 15
• Jean-Louis Gaillemin, Dalí : master of fantasies, Harry N. Abrams, New York, 2004, p. 69
• Jean-Louis Gaillemin, Dalí the impresario of surrealism, Thames & Hudson, London, 2004, p. 69
• Jean-Louis Gaillemin, Dali : le grand paranoïaque, Découvertes Gallimard Arts, Paris, 2004, p. 69
• Linde Salber, Salvador Dalí, Rowohlt, Reinbek bei Hamburg, 2004, p. 106
• Maria J. Jordà, Eva Formiga, Discovering the magical world of Dalí, Textura, [Barcelona], 2004, cover, endpapers, p. 8, p. 9 (4 details)
• Maria Lluïsa Borràs, Salvador Dalí : vida i obra d'un geni, Columna, Barcelona, 2004, n. p.
• Marina García, Dalí per a nens, Albur, Barcelona, 2004, p. 3, p. 11, p. 12
• Màrius Carol, Josep Playà i Maset, El Enigma Dalí, Plaza Janés, Barcelona, 2004, n. p.
• Patrice Schmitt, Étude psychanalytique de la création chez Salvador Dalí, Lacour-Ollé, Nimes, 2004, il. 1.8
• Silvia Borghesi, Dalí, Electa, Milán, 2004, cover, p. 6 (detail), p. 60, p. 61 (detail)
• Tonia Raquejo, Dalí: metamorfosis, Edilupa, [Madrid], 2004, p. 74
• Dalí, Unidad Editorial, [S.l.], 2005, cover (detail), p. 46-47 (detail), p. 117, p. 180
• Naturaleza & arte. Gaudí, Miró, Dalí, Sociedad Estatal para Exposiciones Internacionales, [Madrid], 2005, p. 87
• Surrealism USA, National Academy Museum, Ostfildern-Ruit, Germany, New York, 2005, p. 20
• Lucía García de Carpi, Salvador Dalí, Ambos Mundos, Salamanca, 2005, p. 82, p. 130 (detail)
• Mila Torres, Alba Marina Ribera (il.), La Màgica aventura del quadre de Dalí, Edicions del Gràfic Set, Sabadell, 2005, p. 35
• Rafael Santos Torroella, El Primer Dalí, 1918-1929 : catálogo razonado, IVAM, Institut Valencià d'Art Modern, Generalitat Valenciana. Conselleria de Cultura, Educació i Esport, Publicaciones de la Residencia de Estudiantes, [València], [Madrid], 2005, p. 383
• Vicent Santamaria de Mingo, El Pensament de Salvador Dalí en el llindar dels anys trenta, Publicacions de la Universitat Jaume I, Castelló de la Plana, 2005, p. 280 (detail)
• Dali's universe and masterpieces of surrealists, The Museum of Art, Ehime (Japó), [2006], p. 6
• Salvador Dali centennial retrospective, Ueno Royal Museum, Ueno, 2006, p. 132
• Eudald Carbonell, Policarp Hortolà, Entendre la ciència des de dins (o si més no intentar-ho) : reflexions, a través de la pràctica científica, entorn d'una visió epistemològica per al tercer mil·lenni, Publicacions URV, Tarragona, 2006, cover
• Marta Luna, Toni Matas, Dalí i els altres secrets, Distribucions d'Art Surrealista, Figueres, 2006, p. 9
• Torsten Otte, Salvador Dalí : Eine Biographie mit Selbstzeugnissen des Künstlers, Königshausen & Neumann, Würzburg, 2006, p. 58
• Dalí & film, Tate Publishing, London, 2007, p. 127
• Dalí multifaceted : centenary exhibition, The Chunichi Shimbun, [S.l.], 2007, p. 193
• Salvador Dalí: an illustrated life, Tate Publishing, Fundació Gala-Salvador Dalí, Sociedad Estatal de Conmemoraciones Culturales - Ministerio de Cultura, [Madrid], [Figueres], London, 2007, p. 76, p. 142 (indirect image)
• Agustín Sánchez Vidal, Salvador Dalí, Fundación Mapfre. Instituto de Cultura, Madrid, 2007, p. 56
• Angela Wenzel, The Mad, mad, mad world of Salvador Dali, Prestel, Munich, 2007, cover (detail), p. 9
• Procés a l'Atzar = Proceso al Azar = Chance on Trial, Editrama, Madrid, [2008], n. p. (indirect image) (detail)
• The 1930s: the making of "the new man", National Gallery of Canada, Ottawa, 2008, p. 95
• Alessandro Del Puppo, Dalí et le surréalisme, E-ducation.it S.p.A, Florence, 2008, cover, p. 127, 128-29
• Claude Gautrand, Brassaï Paris : 1899-1984, Taschen, Hong Kong, Köln, London, etc., 2008, p. 156 (indirect image) (detail)
• Gavin Parkinson, Surrealism, art and modern science : relativity, quantum mechanics, epistemology, Yale University, New Haven & London, 2008, p. 193
• Josep Maria Cadena, Pau Quesada, Meravelles de Catalunya, Primera Plana, [Barcelona], 2008, p. [34] (detail), p. 35 (detail)
• Mª Mercè Riera i Arnijas, Dalí, Ciro, [Barcelona], 2008, cover (detail), p. 81, p. 142
• Philippe Ségalot, Franck Giraud, The Impossible collection : the 100 most coveted artworks of the modern era, Assouline, New York, 2008, il. 29
• Un perro andaluz 80 años después, Sociedad Estatal de Conmemoraciones Culturales, La Fábrica, Madrid, 2009, p. 140
• Montse Aguer i Teixidor, Los tesoros de Salvador Dalí, Librería Universitaria, Barcelona, 2009, p. 37
• Du Greco à Dalí : les grands maîtres espagnols de la collection Pérez Simón, Snoeck, Heule (Belgique), 2010, p. 199
• Salvador Dalí : the late work, High Museum of Art, Yale University Press, Atlanta, New Haven and London, 2010, p. 61
• Alícia Viñas i Palomer, Emocions, sentiments, sensacions : Pintors i escultors de l'Alt Empordà, 1839-1959, Institut d'Estudis Empordanesos, Figueres, 2010, p. 159
• Francesca Adamo, Caterina Pennestrì, Il Destino di un incontro : Salvador Dalì e Walt Disney, Mimesis, Milano, 2010, p. 41
• Catherine Grenier, Salvador Dalí : l'invention de soi, Flammarion, Paris, 2011, p. 107
• Ralf Schiebler, Dalí : the reality of dreams, Prestel, New York, Munich, London, 2011, p. 76
• Dalí, Centre Pompidou, Paris, 2012, p. 137
• Dalí un artista un genio, Skira, Milano, 2012, p. 183
• Roger Rothman, Tiny surrealism : Salvador Dalí and the aesthetics of the small, University of Nebraska, Lincoln & London, 2012, p. 11
• Shûzô Takigushi, Dalí : Tokio, 1939, Notari, Genève, 2012, il. 0 (indirect image)
• Didier Ottinger, Dictionnaire de l'objet surréaliste, Gallimard, Centre Pompidou, Paris, 2013, p. 96 (indirect image)
• Francesca Bonazzoli, Michele Robecchi, De Mona Lisa a los Simpson : por qué las grandes obras de arte se han convertido en iconos de nuestro tiempo, Lunwerg, Barcelona, 2013, p. 118
• Will Gompertz, ¿Qué estás mirando? : 150 años de arte moderno en un abrir y cerrar de ojos, Taurus, Madrid, 2013, p. 281
• s. a., "LOS BALLETS DALINIANOS de Bacanal a Sacrificio", ARTE Y PARTE, 01/04/2013, s. l., p. 59
• Dalí et le livre d'art, Somogy. Éditions d'Art, Musée Goya, Castres, [París], Castres, 2014, p. 70
• Salvador Dalí, Instituto Tomie Ohtake, Sao Paulo, 2014, p. 58 (indirect image)
• Catherine Ingram, Andrew Rae (il.), This is Dalí, Laurence King Publishing, London, 2014, p. 43
• Natalia Malinóvskaya, [Temes amb variacions], Tsentr knigi Rudomino, Moscou, 2014, p. 484
• William Jeffett, Juan José Lahuerta, Picasso-Dalí, Dalí-Picasso, Museu Picasso, Salvador Dalí Museum, Sant Petersburg, Barcelona, 2014, p. 220 (indirect image)
• Disney & Dalí : architects of the imagination, Disney, New York, Los Angeles, 2015, p. 64 (indirect image), p. 65
• Media - Dalí, K11 Art Foundation, Shanghai Culture Publishing House, Shanghai, 2015, p. 103 (indirect image)
• Daniel R. Caruncho, Salvador Dalí, las obras de su vida, Dos de Arte, Barcelona, 2015, p. 3 (detail), p. 21 (detail), p. 30, reverse (detail)
• Gabriel Montua, Dalís 20. Jahrhundert : die westliche Kunst zwischen Politik, Markt und Medien, De Gruyter, Berlin, Boston, 2015, p. 89 (indirect image) (detail)
• Memoria 2015 = Memòria 2015, Fundació Gala-Salvador Dalí, Figueres, 2016, p. 9 (indirect image), p. 69 (indirect image)
• Salvador Dalí, Yomiuri Shimbun, Culture Promotion Department, Tokyo, 2016, p. 150 (indirect image) (detail)
• Dali : poetics of the small, 1929-1936, Meadows Museum, Dallas, 2018, p. 70, p. 148
• Dalí atómico, Fundación Bancaria "la Caixa", [Barcelona], 2018, p. 135

The copyright on Salvador Dalí's works, included those that are reproduced in this Web page, is held by the Spanish State and has been granted in exclusivity to the Fundació Gala-Salvador Dalí.

Pursuant to intellectual property laws in force, the total or partial reproduction, distribution, transformation, public communication, interactively making available to the public, as well as any other exploitation, by any means, of the works included in this Web page is prohibited.

Any exploitation of Salvador Dalí's works is subject to the prior application and clearance of the relevant licence issued by VEGAP (tel. 91 532 66 32 and 93 201 03 31 ; www.vegap.es). Copyright infringement will be prosecuted according to Laws.