Réminiscence archéologique de l'"Angélus" de Millet (Archaeological Reminiscence of Millet's Angelus)

• Julien Green, Paris
• John E. Abbott
• Julien Levy Gallery, New York
• E. and A. Reynolds Morse, Cleveland (Ohio)

• This painting is entitled Réminiscence archéologique de l´"Angélus de Millet for we believe it corresponds to the work Dalí presented at the exhibition held at the Jacques Bonjean Gallery, Paris from June 20th to July 13th 1934, number 28. For this reason, the first owner would be François Spitzer. Although this painting is considered from 1935, the iconographic elements correspond to the ones in paintings from 1934. For this reason the artwork has been moved to the 1934 period.

• 1934, París, Jacques Bonjean, Exposition Dali, 20-6-1934 - 13-7-1934, cat. no. 28
• 1934, New York, Julien Levy Gallery, Dali, 21-11-1934 - 10-12-1934, cat. no. 9
• 1946, Boston, The Institute of Modern Art, Four Spaniards : Dali, Gris, Miro, Picasso, 24-1-1946 - 3-3-1946, cat. no. 6
• 1947, Cleveland, Ohio, The Cleveland Museum of Art, Salvador Dalí, an exhibition, 8-10-1947 - 9-11-1947, cat. no. 10
• 1965, New York, Gallery of Modern Art, Salvador Dalí, 1910-1965, 18-12-1965 - 13-3-1966, cat. no. 55
• 1996, Barcelona, La Pedrera, Dalí. Arquitectura, 19-6-1996 - 25-8-1996, cat. no. 13
• 1998, Liverpool, Tate Gallery Liverpool, Salvador Dalí: a mythology, 21-10-1998 - 31-1-1999, cat. no. 26
• 1999, Fukuoka, Fukuoka Asian Art Museum, Dali exhibition 1999, 28-8-1999 - 24-10-1999, cat. no. 26
• 2004, Barcelona, CaixaForum, Dalí. Cultura de masses, 5-2-2004 - 23-5-2004, cat. no. 73
• 2006, Tokio, Ueno Royal Museum, Salvador Dali centennial retrospective, 23-9-2006 - 4-1-2007, cat. no. 21
• 2009, Melbourne, National Gallery of Victoria, Salvador Dalí : liquid desire, 13-6-2009 - 4-10-2009, no reference

• cover (detail)
• p. 13 (detall)
• Reynolds A. Morse, "The Dream World of Salvador Dali", Art In America, 31/07/1945, New York, N.y., il. 4
• Salvador Dalí, an exhibition, The Cleveland Museum of Art, Cleveland, 1947, n. p.
• Salvador Dalí, The IMS Press, Cleveland [Ohio], 1954, p. 21
• Dalí, Les Éditions du Chêne, Paris, 1957, il. V
• A. Reynolds Morse, Michel Tapié, Dalí: a study of his life and work, New York graphic Society, Greenwich [Connecticut], 1958, p. 43
• Salvador Dalí, 1910-1965, The Foundation for Modern Art, New York, 1965, p. 66
• Paul H. Walton, Dali / Miró, Tudor Publishing Company, New York, 1967, il. 15
• Max. Gérard, Dalí de Draeger, Blume, Barcelona, 1968, il. 93 (detail)
• Robert Lebel, "Le Dali de tout le monde ou la psychopathologie commercialisée", L'oeil, 31/01/1969, Paris, n. p. (detail)
• A. Reynolds Morse, Dalí, the masterworks, The Reynolds-Morse Foundation, Cleveland, 1971, p. 68
• José Angelo Gaiarsa, Respiraçao e imaginaçao, Jose Angelo Gaiarsa, Sao Paulo, 1971, p. 24 (detail)
• Ninety-three oils by Salvador Dalí : 1917-1970, The Salvador Dalí Museum, Cleveland, 1973, p. 161
• Dali, Ballantine Books, New York, 1974, n. p. (detail)
• Salvador Dalí ... a panorama of his art, The Salvador Dalí Museum, Cleveland, 1974, p. 75, p. 161, p. 226 (indirect image)
• Jacques Dopagne, Dalí, Fernand Hazan, Paris, 1974, il. 34
• Le Surréalisme, XXe siècle, Paris, 1975, p. [93]
• Luis Romero, Todo Dalí en un rostro, Blume, Madrid, Barcelona, 1975, p. 106
• Salvador Dalí, Le Mythe tragique de l'Angelus de Millet : interprétation paranoïaque-critique, Jean-Jacques Pauvert, Paris, 1978, p. 27
• Salvador Dalí, Il Mito tragico dell'Angelus de Millet, Gabriele Mazzotta, Milano, 1978, contracoberta (detall)
• Salvador Dalí, René Passeron, Salvador Dalí, Filipacchi, Paris, 1978, cover, p. 64-65
• Salvador Dalí, selected works, Filipacchi, New York, 1979, cover (detail), p. 64-65
• Salvador Dalí: rétrospective, 1920-1980, Centre Georges Pompidou, Musée National d'Art moderne, Paris, 1979, p. 323
• Hommage à Dalí, Vilo, Paris, 1980, p. 52, p. 80-81
• Jacques Baron, Anthologie plastique du surrealisme, Filipacchi, Paris, 1980, p. 82-83
• Josep Pla, Salvador Dalí (il.), Obres de museu, DASA, Figueres, 1981, p. 36
• Ignacio Gómez de Liaño, Dalí, Polígrafa, Barcelona, 1983, il. 55
• Gemma Romagosa, "Dalí y el mito trágico del Angelus de Millet", LA VANGUARDIA, 21/06/1983, Barcelona, n. p. (detail)
• Jacques Dopagne, Dalí, Fernand Hazan, Paris, 1985, il. 34
• Sarane Alexandrian, Dalí, Fernand Hazan, Paris, 1985, il. 34
• June Hurley Young, "The images of Salvador Dali", Tampa Bay Magazine, 31/10/1987, Tampa Bay, FL, p. 41
• Surrealist drawings, The Salvador Dalí Foundation, St. Petersburg [Florida], 1988, n. p.
• Roger Michel Erasmy, Codex Dalinianus / Código de Dalí, Erasmy Roger Michel, El Periódico, Barcelona, 1988, p. 7 (detail)
• Salvador Dalí, 1904-1989, Gerd Hatje, Stuttgart, 1989, p. 144
• Salvador Dalí, Meisterwerke der dreissiger Jahre, Schirmer-Mosel, München, 1989, il. 21
• Paul Moorhouse, Dalí, Magna Books, Wigston [Anglaterra], 1990, p. 64
• René Passeron, Salvador Dalí, Ars Mundi, [S.l.], 1990, p. 63
• Dalí: the Salvador Dalí museum collection, Bulfinch, Boston. Toronto. London, 1991, il. 58
• Eric Shanes, Dalí, Debate, Madrid, 1991, p. 9
• Luis Romero, PsicoDálico Dalí, Mediterranea, Barcelona, 1991, p. 93 (detail)
• Jessica Hodge, Salvador Dali, Barnes & Noble, New York, 1994, p. 68-69
• Marco Di Capua, Dalí, Librairie Gründ, Paris, 1994, p. 182
• Robert Descharnes, Gilles Néret, Salvador Dalí, 1904 -1989, Benedikt Taschen, Köln, 1994, p. 247
• Ruth Amossy, Dalí ou le filon de la paranoïa, Presses Universitaires de France, Paris, 1995, p. 50
• Dalí. Arquitectura, Fundació Gala-Salvador Dalí, Fundació Caixa de Catalunya, [Figueres], Barcelona, 1996, n. p.
• Dalí. Arquitectura, Fundació Gala-Salvador Dalí, Fundació Caixa de Catalunya, [Barcelona], [Figueres], 1996, p. 77
• Gilles Néret, Salvador Dalí : 1904-1989, Evergreen (Benedikt Taschen), [Köln], 1996, p. 35
• Kenneth Wach, Salvador Dalí : masterpieces from the collection of the Salvador Dalí Museum, Harry N. Abrams, Salvador Dalí Museum, St. Petersburg, Florida, New York, 1996, p. 79
• Dawn Ades, Fiona Bradley, Salvador Dalí: a mythology, Tate Gallery Publishing, London, 1998, cover, p. 26
• Robert Goff, The Essential Salvador Dalí, Harry N. Abrams, New York, 1998, p. 65
• Dali exhibition 1999, NTV Europe B.V., [S.l.], 1999, p. 92 (detail), p. 93, p. 94 (detail)
• Rafael Jackson, Picasso y las poéticas surrealistas : de la biología a lo sagrado, Metáforas del Movimiento Moderno, Madrid, 2000, p. 150 (detail)
• Robert S. Lubar, The Salvador Dalí Museum collection, Bulfinch, Boston - New York - London, 2000, p. 89
• Alberto Mario Perrone, Salvador Dalí, escándalo, transgresión y genio, Longseller, Buenos Aires, 2001, p. 28 (detail)
• Juan Antonio Ramírez, Dalí: lo crudo y lo podrido, A. Machado Libros, Madrid, 2002, p. 57
• Les Essentiels de l'art Dalí, Ludion, Amsterdam, 2003, p. 156
• The Portable Dalí, Universe, New York, 2003, p. 156
• Juan Antonio Ramírez, Edificios-cuerpo. Cuerpo humano y arquitectura: analogías, métaforas, derivaciones, Siruela, Madrid, 2003, p. 49
• Michael Elsohn Ross, Salvador Dalí and the surrealists, their lives and ideas : 21 activities, Chicago Review Press, Chicago, 2003, p. 60 (detail), p. 78
• Dalí. Cultura de masses, Fundació La Caixa, Fundació Gala-Salvador Dalí, Figueres, Barcelona, 2004, p. 73
• Dalí, Bompiani, [Milà], 2004, p. 190
• José María Hinojosa 1904-1936 : entre dos luces, Centro Cultural de la Generación del 27, [Málaga], 2004, p. 86
• Persistence and memory : new critical perspectives on Dalí centennial, Bompiani, [Milà], 2004, p. 109
• Silvia Borghesi, Dalí, Electa, Milán, 2004, p. 63
• It's all Dalí, Museum Boijmans Van Beuningen, Rotterdam, 2005, p. 104
• Jordana Mendelson, Documenting Spain : artists, exhibition culture and the modern nation, 1929-1939, Pennsylvania State University Press, University Park, Pa., 2005, p. 210
• Vicent Santamaria de Mingo, El Pensament de Salvador Dalí en el llindar dels anys trenta, Publicacions de la Universitat Jaume I, Castelló de la Plana, 2005, p. 246
• Salvador Dali centennial retrospective, Ueno Royal Museum, Ueno, 2006, p. 73, p. 72 (detail)
• Dalís medienspiele: falsche fährten und paranoische selbstinszenierungen in den künsten, Transcript, Bielefeld, 2007, p. 63, p. 277 (detail)
• Montse Aguer i Teixidor, Juan José Lahuerta, Salvador Dalí i les revistes, Distribucions d'Art Surrealista, [Figueres], 2008, p. 33
• Mª Mercè Riera i Arnijas, Dalí, Ciro, [Barcelona], 2008, p. 91, p. 142
• Salvador Dalí : liquid desire, National Gallery of Victoria, Fundació Gala-Salvador Dalí, The Salvador Dalí Museum, St. Petersburg, Florida, Melbourne, Figueres, 2009, p. 102 (detail), p. 114
• Sonia Chaine, L'Art en miroir, Milan, Toulouse, 2009, p. 43
• Roger Rothman, Tiny surrealism : Salvador Dalí and the aesthetics of the small, University of Nebraska, Lincoln & London, 2012, p. 199
• Astrid Ruffa, Salvador Dalí : una mirada espiritual, La Central, Barcelona, 2013, p. 58
• Begoña Souviron López, Dalí en el contexto cultural centroeuropeo : literatura e iconografia, Universidad de Málaga, Málaga, 2014, p. 145 (detail)
• Disney & Dalí : architects of the imagination, Disney, New York, Los Angeles, 2015, p. 61
• Daniel R. Caruncho, Salvador Dalí, las obras de su vida, Dos de Arte, Barcelona, 2015, p. 34
• Dali : poetics of the small, 1929-1936, Meadows Museum, Dallas, 2018, p. 108

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