Daddy Longlegs of the Evening - Hope! (including: soft aeroplane vomited by a cannon, ants, victory born of a broken wing, violoncello in white mastic and an angel who weeps)

• Julien Levy Gallery, New York
• Bignou Gallery, New York
• E. and A. Reynolds Morse, Cleveland (Ohio)

• 1941, New York, Julien Levy Gallery, Salvador Dalí, 22-4-1941 - 20-5-1941, cat. no. 1
• 1941, Chicago, The Arts Club of Chicago, Salvador Dali, 23-5-1941 - 14-6-1941, cat. no. 1
• 1941, Los Angeles, Dalzell Hatfield Galleries, Salvador Dalí, 10-9-1941 - 5-10-1941, cat. no. 1
• 1943, New York, Art of this Century, Art of this Century : 15 early paintings. 15 late paintings, 13-3-1943 - 10-4-1943, cat. no. 206
• 1947, Cleveland, Ohio, The Cleveland Museum of Art, Salvador Dalí, an exhibition, 8-10-1947 - 9-11-1947, cat. no. 15
• 1954, Roma, Sale dell'Aurora Pallavicini, Mostra di quadri disegni ed oreficerie di Salvador Dalí, 13-3-1954 - 30-6-1954, cat. no. 11
• 1965, New York, Gallery of Modern Art, Salvador Dalí, 1910-1965, 18-12-1965 - 13-3-1966, cat. no. 100
• 2000, St. Petersburg, Florida, Salvador Dalí Museum, James Rosenquist: paintings, 29-4-2000 - 10-9-2000, cat. no. 29
• 2004, Venezia, Palazzo Grassi, Dalí, 12-9-2004 - 16-1-2005, cat. no. 195
• 2006, Tokio, Ueno Royal Museum, Salvador Dali centennial retrospective, 23-9-2006 - 4-1-2007, cat. no. 33
• 2007, St. Petersburg, Fl., Salvador Dalí Museum, Dalí and the Spanish Baroque, 2-2-2007 - 24-6-2007, cat. no. 14

• Salvador Dalí, Julien Levy Gallery, New York, 1941, n. p.
• s. a., "[HOLD YOUR HATS, FOLKS!...]", 44f3c506-84c6-dbfe-05e9-7d59cd24aeef, 23/08/1941, Los Angeles, Cal., n. p. (detail)
• Millier, Arthur, "Dali Coming to Rattle His Art Skulls", Los Angeles Times, 07/09/1941, Los Angeles, n. p. (detail)
• Salvador Dalí, The Secret Life of Salvador Dalí, Dial Press, New York, 1942, p. XIV (detail)
• Morse, Reynolds A., "The Dream World of Salvador Dali", Art In America, 31/07/1945, New York, N.y., il. 5
• Parsons, Polly, "Reception to open print club's Dali show", News, 13/10/1947, Cleveland, O., s. p. (imatge indirecta) (detall)
• Curtiss, Cornelia, "Art Collectors Turn Home Into Real "Dali-High"", Cleveland News, 20/02/1952, Cleveland, Ohio, n. p. (indirect image)
• Mostra di quadri disegni ed oreficerie di Salvador Dalí, Sale dell'Aurora Pallavicini, Roma, 1954, il. 8
• Salvador Dalí, The IMS Press, Cleveland [Ohio], 1954, p. 13
• Dalí, Les Éditions du Chêne, Paris, 1957, p. 7
• A. Reynolds Morse, Michel Tapié, Dalí: a study of his life and work, New York graphic Society, Greenwich [Connecticut], 1958, p. 51
• Fleur Cowles, El Caso Salvador Dalí, Noguer, Barcelona - México, 1959, p. XXXII
• Fleur Cowles, The Case of Salvador Dalí, Little, Brown, Boston, Toronto, 1959, between pp. 240-241
• Aguado, Lola, "Los tres maestros españoles de la pintura mundial de hoy. ¿Quién es Dalí?", Gaceta Ilustrada, 03/02/1962, Madrid, s,. p. (detail)
• Fabricius, Johan, "Salvador DALI", 2ce88ff0-0b02-61d4-d2ef-0c2ccf74564a, 01/06/1963, s. l., n. p. (detail)
• Salvador Dalí, 1910-1965, The Foundation for Modern Art, New York, 1965, p. 78
• s. a., "What's new, pussycat?", Star & Journal, 14/12/1965, Long Island City, N.y., n. p. (indirect image)
• s. a., "Captive Audience", Advance, 16/12/1965, Staten Island, N.y., n. p. (indirect image)
• Max. Gérard, Dalí de Draeger, Blume, Barcelona, 1968, il. 154
• A. Reynolds Morse, A Dalí primer, The Reynolds-Morse Foundation, Cleveland [Ohio], 1970, p. 43
• Krebs, Betty Dietz, "Kiss of Death for First Dali Museum?", News, 09/08/1970, Dayton, Ohio, n. p. (indirect image)
• Ninety-three oils by Salvador Dalí : 1917-1970, The Salvador Dalí Museum, Cleveland, 1973, p. 169 (detail)
• A. Reynolds Morse, Eleanor R. Morse, The Dalí adventure : 1943-1973, The Salvador Dalí Museum, Cleveland, [1973], il. 7
• Salvador Dalí, André Parinaud, Comment on devient Dalí, Robert Laffont, Paris, 1973, n. p.
• Salvador Dalí ... a panorama of his art, The Salvador Dalí Museum, Cleveland, 1974, p. 87, p. 169 (detail)
• Luis Romero, Todo Dalí en un rostro, Blume, Madrid, Barcelona, 1975, p. 84
• Salvador Dalí, André Parinaud, Confesiones inconfesables, Bruguera, Barcelona [etc.], 1975, n. p.
• Dalí, Salvador, "Eroticism in clothing", [the Salvador Dali Museum], 31/12/1975, Cleveland, Ohio, n. p. (detail)
• Salvador Dalí, René Passeron, Salvador Dalí, Filipacchi, Paris, 1978, p. 72
• Salvador Dalí, selected works, Filipacchi, New York, 1979, p. 72
• Hommage à Dalí, Vilo, Paris, 1980, p. 35
• Josep Pla, Salvador Dalí (il.), Obres de museu, DASA, Figueres, 1981, p. 128
• Conroy Maddox, Dalí, Benedick Taschen, Köln, 1983, p. 70-71
• Conroy Maddox, Dalí, Newness Books, Feltham [Middlesex], 1983, p. 70-71
• Ignacio Gómez de Liaño, Dalí, Polígrafa, Barcelona, 1983, il. 87
• Rafael Santos Torroella, La Miel es más dulce que la sangre : las épocas lorquiana y freudiana de Salvador Dalí, Seix-Barral, Barcelona, 1984, p. 191
• Sarane Alexandrian, Dalí, Fernand Hazan, Paris, 1985, il. 48
• Takahiko Okada, Dalí, Shueisha, [S.l.], 1986, p. 72
• Salvador Dalí, Meisterwerke der dreissiger Jahre, Schirmer-Mosel, München, 1989, il. 33
• René Passeron, Salvador Dalí, Ars Mundi, [S.l.], 1990, p. 75
• Dalí: the Salvador Dalí museum collection, Bulfinch, Boston. Toronto. London, 1991, il. 70
• Luis Romero, PsicoDálico Dalí, Mediterranea, Barcelona, 1991, p. 127 (indirect image), p. 128
• A. Reynolds Morse, Dali's animal crackers, Salvador Dalí Museum, St. Petersburg, Florida, 1993, p. 139, p.13 (2 details), p.139 (detail), p. 180 (indirect image)
• Marco Di Capua, Dalí, Librairie Gründ, Paris, 1994, p. 208
• Robert Descharnes, Gilles Néret, Salvador Dalí, 1904 -1989, Benedikt Taschen, Köln, 1994, p. 332
• David Carter, Salvador Dalí, Chelsea House, New York - Philadelphia, 1995, p. 94
• Gilles Néret, Salvador Dalí : 1904-1989, Evergreen (Benedikt Taschen), [Köln], 1996, p. 51
• Haim Finkelstein, Salvador Dalí's art and writing, 1927-1942 : the metamorphoses of Narcissus, Cambridge University Press, Cambridge, 1996, p. 160
• Kenneth Wach, Salvador Dalí : masterpieces from the collection of the Salvador Dalí Museum, Harry N. Abrams, Salvador Dalí Museum, St. Petersburg, Florida, New York, 1996, p. 91
• Ian Gibson, The Shameful life of Salvador Dalí, Faber and Faber, London, 1997, il. 85
• Robert Radford, Dalí, Phaidon, London, 1997, p. 216-217
• Robert Goff, The Essential Salvador Dalí, Harry N. Abrams, New York, 1998, p. 83 (detail)
• Dali exhibition 1999, NTV Europe B.V., [S.l.], 1999, p. 215
• James Rosenquist: selects Dalí, Salvador Dalí Museum, St. Petersburg, Florida, 2000, p. 52
• Robert S. Lubar, The Salvador Dalí Museum collection, Bulfinch, Boston - New York - London, 2000, p. 120
• Juan Antonio Ramírez, Dalí: lo crudo y lo podrido, A. Machado Libros, Madrid, 2002, p. 84
• Les Essentiels de l'art Dalí, Ludion, Amsterdam, 2003, p. 223
• The Portable Dalí, Universe, New York, 2003, p. 223
• Javier Pérez Andújar, Salvador Dalí : a la conquista de lo irracional, Algaba, Madrid, 2003, n. p.
• Ricard Mas Peinado, Universdalí, Lunwerg, Barcelona, Madrid, 2003, p. 142
• Salvador Dalí, Obra completa : Textos autobiográficos 1, Destino, Fundació Gala-Salvador Dalí, Sociedad Estatal de Conmemoraciones Culturales, [Madrid], [Figueres], Barcelona, 2003, n. p. (detail)
• Salvador Dalí, Obra completa : Textos autobiográficos 2, Destino, Fundació Gala-Salvador Dalí, Sociedad Estatal de Conmemoraciones Culturales, [Madrid], [Figueres], Barcelona, 2003, n. p. (detail)
• Dalí, un creador dissident, Destino, Barcelona, 2004, p. 188
• Dalí, Bompiani, [Milà], 2004, p. 323
• Obra completa : Álbum, Destino, Fundació Gala-Salvador Dalí, Sociedad Estatal de Conmemoraciones Culturales, [Madrid], [Figueres], Barcelona, 2004, p. 140
• Jean-Louis Gaillemin, Dali : le grand paranoïaque, Découvertes Gallimard Arts, Paris, 2004, p. 113
• Jean-Louis Gaillemin, Dalí : master of fantasies, Harry N. Abrams, New York, 2004, p. 113
• Jean-Louis Gaillemin, Dalí the impresario of surrealism, Thames & Hudson, London, 2004, p. 113
• Salvador Dalí, Obra completa : Artículos, 1919-1986, Destino, Fundació Gala-Salvador Dalí, Sociedad Estatal de Conmemoraciones Culturales, [Madrid], [Figueres], Barcelona, 2005, p. 858 (detail)
• Dalí and the Spanish Baroque, The Salvador Dalí Museum, St. Petersburg, 2006, p. 23
• Salvador Dali centennial retrospective, Ueno Royal Museum, Ueno, 2006, p. 101, p. 100 (detail)
• Salvador Dalí: an illustrated life, Tate Publishing, Fundació Gala-Salvador Dalí, Sociedad Estatal de Conmemoraciones Culturales - Ministerio de Cultura, [Madrid], [Figueres], London, 2007, p. 140
• Salvador Dalí : liquid desire, National Gallery of Victoria, Fundació Gala-Salvador Dalí, The Salvador Dalí Museum, St. Petersburg, Florida, Melbourne, Figueres, 2009, endpapers (detail), p. 164, p. 172
• Salvador Dalí : the late work, High Museum of Art, Yale University Press, Atlanta, New Haven and London, 2010, p. 163
• Catherine Grenier, Salvador Dalí : l'invention de soi, Flammarion, Paris, 2011, p. 168
• Dalí, Centre Pompidou, Paris, 2012, p. 28
• Linda Lissack, Selwyn Lissack, Dalí in holographic space, Story and Digital Art, [S.l.], 2012, p. 57
• Marc Aufraise, Caroline Barbier de reulle, Marijke Peyser-Verhaar, Astrid Ruffa, Mathilde Hamel, Gabriel Montua, Les Cahiers du Musée national d'art moderne, Éditions du Centre Pompidou, Paris, 2012, p. 43
• Gabriel Montua, Dalís 20. Jahrhundert : die westliche Kunst zwischen Politik, Markt und Medien, De Gruyter, Berlin, Boston, 2015, il. XXIV

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