- Cat. no. P
- 246
Dormeuse cheval lion invisibles (Invisible Sleeping Woman Horse Lion)
Cat. no. P 246
Invisible Sleeping Woman Horse Lion
1930
Description
- Date:
- 1930
- Technique:
- Oil on canvas
- Dimensions:
- 52 x 60 cm
- Signature:
- Signed and dated lower left center: a Gala Salvador Dali / 1930
- Inscriptions:
- Inscribed lower center-left: a Gala Salvador Dali / 1930 / Dormeuse cheval lion invisible
- Location:
- Private collection, Paris
- Viscountess Marie-Laure of Noailles
- Galerie Vignon, Paris
- 1931, París, Pierre Colle, Exposition Salvador Dalí, 3-6-1931 - 15-6-1931, cat. no. 7
- 1956, Knokke Le Zoute, Casino de Knokke Le Zoute, Salvador Dalí, 1-7-1956 - 10-9-1956, cat. no. 18
- 1968, Knokke Le Zoute, Casino Communal. XXIè Festival Belge d'Été, Trésors du surréalisme, 1-6-1968 - 30-9-1968, cat. no. 30
- 1970, Rotterdam, Museum Boymans-van Beuningen, Dalí, 21-11-1970 - 10-1-1971, cat. no. 12
- 1980, London, The Tate Gallery, Salvador Dalí, 14-5-1980 - 29-6-1980, cat. no. 53
- 1991, París, Centre Georges Pompidou, André Breton, la beauté convulsive, 25-4-1991 - 26-8-1991, no reference
- 2012, París, Centre Pompidou, Dalí, 21-11-2012 - 25-3-2013, p. 126
- Salvador Dalí, La Femme visible, Éditions Surréalistes, Paris, 1930, p. 13
- Pierre Loeb, Voyages à travers la peinture, Bordas, Paris, 1946, pl. XLVI
- Anthony Denney, "The Painting Gallery", Vogue, 01/08/1950, Greenwich, Conn., p. [85] (imatge indirecta) (detall)
- Salvador Dalí, Éditions de la Connaissance, Bruxelles, 1956, p. 24
- Lo Duca, A history of eroticism, Jean-Jacques Pauvert, Paris, 1961, p. 195
- Guillermo de Torre, Minoria y masas en la cultura y el arte contemporaneos, EDHASA, Barcelona - Buenos Aires, 1963, p. 363
- Schatten van het surrealisme = Trésors du surréalisme, André De Rache, Bruxelles, 1968, p. 37
- Dalí, Museum Boymans-van Beuningen, Rotterdam, 1970, il. 12
- Patrick Waldberg, Les Demeures d'hypnos, Éditions de la Différence, Paris, 1976, p. 279
- Salvador Dalí: rétrospective, 1920-1980, Centre Georges Pompidou, Musée National d'Art moderne, Paris, 1979, p. 248
- André Breton, Le Surréalisme et la peinture, Gallimard, [París], 1979, p. 74
- Salvador Dalí, Sì. La rivoluzione paranoico-critica. L'arcangelismo scientifico, Rizzoli, Milano, 1980, p. 38
- Josep Pla, Salvador Dalí (il.), Obres de museu, DASA, Figueres, 1981, p. 60
- Dawn Ades, Dalí and surrealism, Harper & Row, New York, 1982, p. 125
- Entender la pintura : Dalí, Orbis - Fabri, Barcelona, 1989, p. 9
- André Breton, la beauté convulsive, Centre Georges Pompidou, Paris, 1991, p. 282
- Luis Romero, PsicoDálico Dalí, Mediterranea, Barcelona, 1991, p. 65
- A. Reynolds Morse, Dali's animal crackers, Salvador Dalí Museum, St. Petersburg, Florida, 1993, p. 138 (detail)
- Jaime Brihuega, Miró y Dalí: los grandes surrealistas, Anaya, Madrid, 1993, p. 65
- Salvador Dalí: the early years, South Bank Centre, [London], 1994, p. 156
- Robert Descharnes, Gilles Néret, Salvador Dalí, 1904 -1989, Benedikt Taschen, Köln, 1994, p. 160
- Sarane Alexandrian, Surrealist art, Thames and Hudson, London, 1995, p. 98
- Matthew Gale, Dada & surrealism, Phaidon, London, 1997, p. 293
- Juan Antonio Ramírez, Dalí: lo crudo y lo podrido, A. Machado Libros, Madrid, 2002, p. 74
- José Ferreira, Dalí - Lacan la rencontre ce que le psychalyste doit au peintre, L'Harmattan, [S.l.], 2003, p. 47
- Dalí, Bompiani, [Milà], 2004, p. 130
- Patrice Schmitt, Étude psychanalytique de la création chez Salvador Dalí, Lacour-Ollé, Nimes, 2004, il. 2.7
- Dalí. Noves fronteres de la ciència, l'art i el pensament, Generalitat de Catalunya. Departament de Cultura., Barcelona, 2005, p. 70
- Agustín Sánchez Vidal, Salvador Dalí, Fundación Mapfre. Instituto de Cultura, Madrid, 2007, p. 4-5, p. 52
- Dalí, Centre Pompidou, Paris, 2012, p. 126
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