- Cat. no. OE
- 24
Vénus de Milo aux tiroirs
Venus de Milo with Drawers
Cat. no. OE 24
Venus de Milo with Drawers
1936
Description
- Date:
- 1936
- Technique:
- Painted plaster with metal pulls and mink pompons
- Dimensions:
- 98 x 32.5 x 34 cm
- Location:
- The Art Institute of Chicago, Chicago. Through prior gift of Mrs. Gilbert W. Chapman 2005.424
- Description:
- This plaster sculpture, created by Dalí in 1936, takes as its reference the Venus de Milo in the Musée du Louvre. This icon of antiquity had fascinated the artist from childhood. In The Secret Life of Salvador Dalí he relates that as a boy he made a copy of this sculpture in clay, and how this first attempt at sculpture produced in him ‘an unmistakable and delightful erotic pleasure’. Later, in an interview he gave to Playboy magazine in 1964, Dalí explained that ‘With the addition of the drawers it is possible to look inside the body of the Venus de Milo to the soul: Thus Dalí creates a Freudian and Christian appearance in the Greek civilization.’ It is likely that this same plaster sculpture was part of an ephemeral installation at the exhibition Salvador Dalí 1939 held at the Julien Levy Gallery in New York.
- Salvador Dalí, 1936-c. 1964
- Max Clarac-Sérou, Paris, c. 1964-1990
- Patrick Derom, c. 1990-2005
- It is not certain that the pompoms correspond to the original creation of 1936; it is possible that Dalí himself added them later.
- 1979, París, Galerie du Dragon, Objet surréaliste 1931-1937, 20-10-1979 - 20-12-1979, cat. no. 10
- 2000, París, Musée du Louvre, D'après l'antique, 15-10-2000 - 15-1-2001, cat. no. 259
- 2001, St. Petersburg, Florida, Salvador Dalí Museum, A Disarming Beauty: The Venus of Milo in 20th Century Art, 28-4-2001 - 9-9-2001, no reference
- 2001, London, Tate Modern, Surrealism desire unbound, 20-9-2001 - 1-1-2002, no reference
- 2002, New York, The Metropolitan Museum of Art, Surrealism desire unbound, 6-2-2002 - 12-5-2002, no reference
- 2004, Venezia, Palazzo Grassi, Dalí, 12-9-2004 - 16-1-2005, cat. no. 156
- 2005, Philadelphia, The Philadelphia Museum of Art, Dalí, 16-2-2005 - 15-5-2005, cat. no. 156
- Robert Descharnes, The World of Salvador Dalí, Mcmillan, London, 1962, pp. 164-165, 222, ill.
- Robert Descharnes, Dalí de Gala, Edita, Lausanne, 1962, pp. 164-165, 223, ill.
- "Dalí presentará una gran exposición en Tokio", 08/05/1964, Gijón, p. 2
- William S. Rubin, Dada and surrealist art, Harry N. Abrams, New York, [1968], p. 232
- Carlton Lake, In quest of Dali, G.P. Putnam's Sons, New York, 1969, pp. 72-74
- Robert Descharnes, Clovis Prévost, La Vision artistique et religieuse de Gaudí, Edita, Lausanne, 1969, p. [8]
- G. A. Cevasco, Salvador Dalí : master of surrealism and modern art, SamHar, Charlotteville, 1971, p. 19
- Robert Descharnes, Salvador Dalí, Nouvelles Editions Françaises, Paris, 1973, p. [160], ill.
- Salvador Dalí, André Parinaud, Comment on devient Dalí, Robert Laffont, Paris, 1973, pp. 79, 223, 358
- Robert Descharnes, Salvador Dalí, M. DuMont Schauberg, Köln, 1974, p. [160], ill.
- Tadao Ogura, Robert Descharnes, Dali, Shueisha, Tokyo, 1974, pp. [51],108, fig. 38, ill.
- Robert Descharnes, "Los Dalí del Museo Dalí", Gaceta Ilustrada, año XIX, nº 941, 20-26/10/1974, Madrid, p. 59
- Le Surréalisme, XXe siècle, Paris, 1975, p. [63]
- William S. Rubin, Art Dada et Surrealiste, Seghers, Paris, [1976], p. 249
- William Wilson, "Art review: Fun and Games in La Jolla", Los Angeles Times, 30/05/1977, Los Angeles, CA, p. [G1], ill.
- L'Objet Surréaliste 1931 - 1937, Galerie du Dragon, Paris, 1979, pp. [10-11], [30], ill.
- Homage to Dalí, Chartwell Books, Secaucus, New Jersey, [1980], p. 140
- Hommage à Dalí, Vilo, Paris, 1980, p. 140
- "El escandalo de la "Expo-Dali"", Mujer, nº 46, 01/1980, Lima, p. 42, ill.
- El Surrealismo, Taurus, Madrid, 1982, p. 72
- 400 obras de Salvador Dalí de 1914 a 1983, Obra Cultural de la Caixa de Pensions, [Madrid], 1983, p. 108
- Pierre Ajame, La Double de vie de Salvador Dali, Ramsay, Paris, 1984, p. 94
- Robert Descharnes, Dalí, sein Werk, sein Leben: die Eroberung, des Irrationalen, Dumont, Köln, 1984, pp. 199, 455, ill.
- Robert Descharnes, Dalí, the work, the man: 1934-1944, Kodansha, [Tòquio], 1984, p. 199, ill.
- Robert Descharnes, Dalí, l'oeuvre et l'homme, Edita, Lausanne, 1984, pp. 199, 446, ill.
- Robert Descharnes, Dalí : la obra y el hombre, Tusquets / Edita, Lausanne, Barcelona, 1984, pp. 199, 446, ill.
- Robert Descharnes, Salvador Dalí, Thames and Hudson, London, 1988, p. 122, ill.
- Robert Descharnes, Salvador Dalí : the work, the man, Henry N. Abrams, New York, 1989, pp. 199, 451, ill.
- Paul Mariah, Salvador Dalí, Dances with Dalí / Minotaur 25/26, Minotaur Press, Felton, CA, 1991, p. 26
- André Bouguenec, Salvador Dalí : philosophe et esotériste incompris, Opéra, Nantes, 1994, pp. 28-29, ill.
- Marco Di Capua, Dalí, Librairie Gründ, Paris, 1994, pp. 187, 271, ill.
- Gilles Néret, Salvador Dalí : 1904-1989, Evergreen (Benedikt Taschen), [Köln], 1996, pp. 44-45, 95, ill.
- Haim Finkelstein, Salvador Dalí's art and writing, 1927-1942 : the metamorphoses of Narcissus, Cambridge University Press, Cambridge, 1996, pp. 167, 226
- Gilles Néret, Salvador Dalí : 1904-1989, Taschen, Köln, [etc.], 1999, pp. 44-45, 95, ill.
- D'après l'antique, Réunion des Musées Nationaux, Paris, 2000, pp. 462-465, ill.
- A disarming beauty: the Venus de Milo in 20th-century art, Salvador Dalí Museum, St. Petersburg, Florida, 2001, pp. 61-67, 83, ill.
- Surrealism desire unbound, Tate Publishing, London, 2001, pp. 97, 329, ill.
- Lewis Kachur, Displaying the marvelous : Marcel Duchamp, Salvador Dalí, and surrealist exhibition installations, The MIT Press, Cambridge, Massachusetts, 2001, p. 130
- Antoni Gaudí Salvador Dalí, Loft, Barcelona, 2002, p. 84, ill.
- El Surrealismo y sus imágenes, Fundación Cultural Mapfre Vida, [Madrid], 2002, p. 202
- Marco Di Capua, Salvador Dalí : su vida, su obra, Carroggio, Barcelona, 2003, pp. 187, 271, ill.
- Ricard Mas Peinado, Universdalí, Lunwerg, Barcelona, Madrid, 2003, pp. 230, 315
- Robert Descharnes, Nicolas Descharnes, Dalí : le dur et le mou : sortilège et magie des formes, sculptures et objets, Eccart, [Azay le Rideau], 2003, pp. 32-33, ill.
- Salvador Dalí, Obra completa : Textos autobiogràfics 2, Destino, Fundació Gala-Salvador Dalí, [Figueres], Barcelona, 2003, pp. 356, 545
- Dalí, Bompiani, [Milà], 2004, pp. 258-259, ill.
- Dalí, Rizzoli, New York, 2005, pp. 258-259, ill.
- Salvador Dalí, Obra completa : Assaigs 1, Destino, Fundació Gala-Salvador Dalí, [Figueres], Barcelona, 2005, p. 806
- Charles Stuckey, "Dalí in Duchamp-Land", Art In America, no. 5, 05/2005, New York, NY, p. 153, ill.
- Salvador Dalí, Obra completa : Entrevistes, Destino, Fundació Gala-Salvador Dalí, [Figueres], Barcelona, 2006, p. 838
- Stephanie D'Alessandro, "Venus de Milo with Drawers", Art Institute of Chicago Museum Studies, vol. 32, no. 1, 2006, Chicago, pp. 64-65, 95-96, ill.
- L'Objecte català a la llum del surrealisme, Museu Nacional d’Art de Catalunya, Barcelona, 2007, p. 69
- Salvador Dalí: an illustrated life, Tate Publishing, Fundació Gala-Salvador Dalí, Sociedad Estatal de Conmemoraciones Culturales - Ministerio de Cultura, [Madrid], [Figueres], London, 2007, p. 110
- Guillermo Carnero, Salvador Dalí y otros estudios sobre arte y vanguardia, Institució Alfons el Magnànim - Diputació de València, [València], 2007, p. 43
- Pilar Parcerisas, Duchamp en España : las claves ocultas de sus estancias en Cadaqués, Siruela, Madrid, 2009, p. 32
- Chaos & Classicism: Art in France, Italy, and Germany, 1918-1936, Guggenheim Museum Publications, New York, 2010, pp. 142-143, ill.
- The classical tradition, The Belknap Press of Hardvard University Press, Cambridge, London, England, Massachusetts, 2010, p. 962, fig. 163, ill.
- Dalia Judovitz, Drawing on Art: Duchamp and Company, University of Minnesota Press, Minneapolis, London, 2010, pp. 161-164, ill.
- Marjorie Strider, Hollis Taggart Galleries, New York, 2011, p. 33, ill.
- Michel Squire, The Art of the Body: Antiquity and Its Legacy, University Press, New York, Oxford, 2011, pp. 27-28, ill.
- Becky E. Conekin, Lee Miller in fashion, Thames & Hudson, London, 2013, p. 164
- Patricia Volk, Shocked: My Mother, Schiaparelli, and Me, Alfred A. Knopf, New York, 2013, pp. 77, [82], 280, ill.
- Stephen Fuller, Eudora Welty and Surrealism, University Press of Mississippi, Jackson, MS, 2013, pp. 53, 249
- Jane Munro, Silent Partners : Artist and Mannequin from Function to Fetish, Fitzwilliam Museum, Yale University Press, Cambridge, New Haven and London, 2014, pp. 210-211, ill.
- Johannes Siapkas, Lena Sjögren, Displaying the Ideals of Antiquity: The Petrified Gaze, Routledge, New York, 2014, p. 138
The copyright on Salvador Dalí's works, included those that are reproduced in this Web page, is held by the Spanish State and has been granted in exclusivity to the Fundació Gala-Salvador Dalí.
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