La mémoire de la femme-enfant (The Memory of the Woman-Child)

• Artist's colletion

• *According to the documentation at our disposal, this work was exhibited hors de catalogue at the "Exposition Internationale du Surréalisme" held in Paris during January and February 1938 (For more information, see the catalogue: B. Altshuler, The Avant-Garde in Exhibition: New Art in the 20th Century, Harry Abrams, New York, 1994).

• 1931, París, Pierre Colle, Exposition Salvador Dalí, 3-6-1931 - 15-6-1931, cat. no. 20
• 1934, París, Jacques Bonjean, Exposition Dali, 20-6-1934 - 13-7-1934, cat. no. 7
• 1934, New York, Julien Levy Gallery, Dali, 21-11-1934 - 10-12-1934, cat. no. 1
• 1936, London, Alex, Reid & Lefevre, Ltd., Salvador Dali, 1-6-1936 - 31-7-1936, cat. no. 21
• 1938, París, Galerie Beaux-Arts, Exposition Internationale du Surréalisme, January - February 1938, not included in catalogue *
• 1965, New York, Gallery of Modern Art, Salvador Dalí, 1910-1965, 18-12-1965 - 13-3-1966, cat. no. 28
• 1968, New York, The Museum of Modern Art, Dada, surrealism, and their heritage, 27-3-1968 - 9-6-1968, cat. no. 61
• 1980, London, The Tate Gallery, Salvador Dalí, 14-5-1980 - 29-6-1980, cat. no. 48
• 1983, Madrid, Museo Español de Arte Contemporáneo, 400 obras de Salvador Dalí del 1914 al 1983, 15-4-1983 - 29-5-1983, cat. no. 133
• 1985, Charleroi, Palais des Beaux-Arts, Picasso, Miró, Dalí : évocations d'Espagne, 26-9-1985 - 22-12-1985, cat. no. 4
• 1989, Humlebaek, Louisiana Museum of Modern Art, Salvador Dali, 16-12-1989 - 11-3-1990, cat. no. 16
• 1991, París, Centre Georges Pompidou, André Breton, la beauté convulsive, 25-4-1991 - 26-8-1991, no reference
• 1994, Madrid, Museo Nacional Centro de Arte Reina Sofía, Dalí joven, 1918-1930, 18-10-1994 - 16-1-1995, cat. no. 152
• 1996, Barcelona, La Pedrera, Dalí. Arquitectura, 19-6-1996 - 25-8-1996, cat. no. 10
• 2004, Barcelona, CaixaForum, Dalí. Cultura de masses, 5-2-2004 - 23-5-2004, cat. no. 69
• 2004, Venezia, Palazzo Grassi, Dalí, 12-9-2004 - 16-1-2005, cat. no. 133
• 2012, París, Centre Pompidou, Dalí, 21-11-2012 - 25-3-2013, p. 123
• 2013, Madrid, Museo Nacional Centro de Arte Reina Sofía, Dalí. Todas las sugestiones poéticas y todas las posibilidades plásticas, 27-4-2013 - 2-9-2013, p. 123

• s. a., "Written by a Madman - Illustrated by a "Super-Realist"", The American Weekly, 16/12/1934, s. l., p. 8
• Vilhem Bjerke-Petersen, Surrealismens Billedverden, Arthur Jensens Forlag, Copenhague, 1937, p. 43 (detail)
• Le Surréalisme en 1947, Maeght, Pierre à Feu, Paris, 1947, p. III (indirect image)
• A. Reynolds Morse, Michel Tapié, Dalí: a study of his life and work, New York graphic Society, Greenwich [Connecticut], 1958, p. 36
• Salvador Dalí, "The king and the queen traversed by swift nudes", Art News, 30/04/1959, New York, N.y., p. 23 (indirect image)
• Lola Aguado, "Los tres maestros españoles de la pintura mundial de hoy. ¿Quién es Dalí?", Gaceta Ilustrada, 03/02/1962, Madrid, n. p. (detail)
• Salvador Dalí, 1910-1965, The Foundation for Modern Art, New York, 1965, p. 41
• Max. Gérard, Dalí de Draeger, Blume, Barcelona, 1968, il. 104 (2 details)
• William S. Rubin, Dada, surrealism, and their heritage, The Museum of Modern Art, New York, 1968, p. 112
• Patrick Waldberg, Les Initiateurs du surréalisme, Unesco, Albin Michel, [París], [S.l.], 1969, p. 31
• Dali par Dali, Draeger, [París], 1970, p. 102-103, p. 104-105 (detail)
• José Angelo Gaiarsa, Respiraçao e imaginaçao, Jose Angelo Gaiarsa, Sao Paulo, 1971, p. 21 (detail), p. 88 (detail)
• Three generations of twentieth-century art : the Sidney and Harriet Janis collection of the Museum of Modern Art, Museum of Modern Art, New York, 1972, p. 179
• Max. Gérard, Dalí... Dalí... Dalí..., Harry N. Abrams, New York, 1974, il. 55
• Robert Descharnes, "Los Dalí del Museo Dalí", Gaceta Ilustrada, año XIX, nº 941, 20-26/10/1974, Madrid, p. 68
• Malcolm Haslam, The Real world of the surrealists, Gallery Press, New York, 1978, p. 243 (indirect image)
• Salvador Dalí: rétrospective, 1920-1980, Centre Georges Pompidou, Musée National d'Art moderne, Paris, 1979, p. 155
• Jacques Baron, Anthologie plastique du surrealisme, Filipacchi, Paris, 1980, p. 14 (indirect image)
• Dictionnaire général du surréalisme et ses environs, Office du Livre, Fribourg [Suisse], 1982, p. 288
• Dawn Ades, Dalí and surrealism, Harper & Row, New York, 1982, p. 144
• 400 obras de Salvador Dalí de 1914 a 1983, Obra Cultural de la Caixa de Pensions, [Madrid], 1983, p. 94
• Distribucions d'art surrealista, Distribucions d'Art Surrealista, Barcelona, 1983, p. 24
• Dalí, Sarpe, Madrid, 1984, il. 6, p. 85
• Duchamp, Fundació Caixa de Pensions, Barcelona, 1984, p. 24 (indirect image), p. 221 (indirect image)
• Picasso, Miró, Dalí : évocations d'Espagne, Palais des Beaux-Arts. Europalia 85 España, Charleroi, 1985, p. 210
• Salvador Dalí, Louis Pauwels, The Passions according to Dalí, The Salvador Dalí Museum, St. Petersburg [Florida], 1985, p. 222 (detail)
• Miguel de Cervantes Saavedra, Salvador Dalí (il.), Il Fantastico idalgo don Chisciotte della Mancia, Del Drago, Milano, 1986, p. 86
• Salvador Dalí, The Tragic myth of Millet's Angelus, The Salvador Dalí Museum, St. Petersburg, 1986, p. 138, p. 138 (detail)
• Salvador Dalí, 1904 - 1989, Kunsthaus Zürich, Zürich, 1989, p. 7
• Salvador Dalí, 1904-1989, Gerd Hatje, Stuttgart, 1989, p. 110, p. 7 (supplement)
• André Breton, la beauté convulsive, Centre Georges Pompidou, Paris, 1991, p. 280
• André Breton y el surrealismo, Ministerio de Cultura, [Madrid], 1991, p. 240
• François Mathey, Art : graphisme des annees 40, Seuil, Regard, Paris, 1991, p. 204 (indirect image)
• Luis Romero, PsicoDálico Dalí, Mediterranea, Barcelona, 1991, p. 61
• Marcel Duchamp, Thames & Hudson, London, 1993, p. 43 (indirect image)
• A. Reynolds Morse, Dali's animal crackers, Salvador Dalí Museum, St. Petersburg, Florida, 1993, p. 167 (2 details)
• Jaime Brihuega, Miró y Dalí: los grandes surrealistas, Anaya, Madrid, 1993, p. 62
• Dalí joven, 1918-1930, Museo Nacional Centro de Arte Reina Sofía, [Madrid], 1994, p. 241
• Bruce Altshuler, The Avant-garde in exhibition : new art in the 20th century, Harry N. Abrams, New York, 1994, p. 118 (indirect image)
• Jessica Hodge, Salvador Dali, Barnes & Noble, New York, 1994, p. 42
• Marco Di Capua, Dalí, Librairie Gründ, Paris, 1994, p. 93
• Robert Descharnes, Gilles Néret, Salvador Dalí, 1904 -1989, Benedikt Taschen, Köln, 1994, p. 151
• Dalí. Arquitectura, Fundació Gala-Salvador Dalí, Fundació Caixa de Catalunya, [Barcelona], [Figueres], 1996, p. 67
• Ian Gibson, The Shameful life of Salvador Dalí, Faber and Faber, London, 1997, il. XIX
• Robert Radford, Dalí, Phaidon, London, 1997, p. 131, p. 132 (detail)
• Salvador Dalí en el Teatre-Museu Dalí y otras colecciones, Folio, Barcelona, 1998, p. 19 (detail)
• Dawn Ades, Fiona Bradley, Salvador Dalí: a mythology, Tate Gallery Publishing, London, 1998, p. 45, p. 109 (detail)
• Fèlix Fanés, Salvador Dalí, la construcción de la imagen : 1925-1930, Electa, [Madrid], 1999, p. 189
• Garaje : imágenes del automóvil en la pintura española del siglo XX, Fundación Eduardo Barreiros, [Madrid], 2000, p. 79
• David Lomas, The Haunted self : surrealism, psychoanalysis, subjectivity, Yale University Press, New Haven, London, 2000, p. 152 (detail), p. 153
• París Barcelona, 1888-1937, Réunion des Musées Nationaux, Museu Picasso, Paris, Barcelona, 2001, p. 436
• Simposio "Happening, Fluxus y otros comportamientos artísticos de la segunda mitad del siglo XX ": Ponencias y Comunicaciones, Editora Regional de Extremadura, Mérida, 2001, p. 114 (indirect image)
• René Passeron, Surrealism, Finest, Pierre Terrail, Paris, 2001, p. 93
• Gérard Durozoi, Le Surréalisme, Hazan, Paris, 2002, p. 36 (indirect image)
• Jean-Louis Gaillemin, Salvador Dalí : désirs inassouvis du purisme au surréalisme, 1925-1935, La Passage, Paris-New York, 2002, il. 25, p. 177 (2 details)
• Juan Antonio Ramírez, Dalí: lo crudo y lo podrido, A. Machado Libros, Madrid, 2002, p. 94
• Les Essentiels de l'art Dalí, Ludion, Amsterdam, 2003, p. 82
• The Portable Dalí, Universe, New York, 2003, p. 82
• Laia Rosa Armengol, Dalí, icono y personaje, Cátedra, Madrid, 2003, p. 238
• Ricard Mas Peinado, Universdalí, Lunwerg, Barcelona, Madrid, 2003, p. 46
• Dalí. Cultura de masses, Fundació La Caixa, Fundació Gala-Salvador Dalí, Figueres, Barcelona, 2004, p. 76
• Dalí : afinitats electives, Generalitat de Catalunya. Departament de Cultura., Barcelona, 2004, p. 279
• Dalí, Bompiani, [Milà], 2004, p. 223
• Jean-Louis Gaillemin, Dalí the impresario of surrealism, Thames & Hudson, London, 2004, p. 99
• Jean-Louis Gaillemin, Dali : le grand paranoïaque, Découvertes Gallimard Arts, Paris, 2004, p. 99
• Jean-Louis Gaillemin, Dalí : master of fantasies, Harry N. Abrams, New York, 2004, p. 99
• Juan José Lahuerta, El Fenómeno del éxtasis, Siruela, Madrid, 2004, p. 106
• Tonia Raquejo, Dalí: metamorfosis, Edilupa, [Madrid], 2004, p. 71 (2 details)
• Dalí, Unidad Editorial, [S.l.], 2005, p. 107, p. 179
• Rafael Santos Torroella, El Primer Dalí, 1918-1929 : catálogo razonado, IVAM, Institut Valencià d'Art Modern, Generalitat Valenciana. Conselleria de Cultura, Educació i Esport, Publicaciones de la Residencia de Estudiantes, [València], [Madrid], 2005, p. 375
• Vicent Santamaria de Mingo, El Pensament de Salvador Dalí en el llindar dels anys trenta, Publicacions de la Universitat Jaume I, Castelló de la Plana, 2005, p. 226 (detail), p. 235 (detail)
• Salvador Dalí : La gare de Perpignan - Pop, Op, Yes-yes, Pompier, Hatje Cantz, Ostfildern, 2006, p. 115
• Dalí & film, Tate Publishing, London, 2007, p. 126
• Agustín Sánchez Vidal, Salvador Dalí, Fundación Mapfre. Instituto de Cultura, Madrid, 2007, p. 51
• Montse Aguer i Teixidor, Juan José Lahuerta, Salvador Dalí i les revistes, Distribucions d'Art Surrealista, [Figueres], 2008, il. 107 (indirect image) (detail)
• Mª Mercè Riera i Arnijas, Dalí, Ciro, [Barcelona], 2008, p. 75, p. 138
• Un perro andaluz 80 años después, Sociedad Estatal de Conmemoraciones Culturales, La Fábrica, Madrid, 2009, p. 41
• Astrid Ruffa, Dalí et le dynamisme des formes : l'élaboration de l'activité "paranoïaque-critique" dans le contexte socioculturel des années 1920-1930, Les Presses du réel, France, 2009, p. 140
• Juan Antonio Ramírez, El Objeto y el aura : (des)orden visual del arte moderno, Akal, Madrid, 2009, p. 93
• Astrid Ruffa, Salvador Dalí, La Central, Barcelona, 2010, p. 37
• Surreal objects : three-dimensional works from Dalí to Man Ray, Hatje Cantz, Schirn Kunsthalle, Ostfildern, Frankfurt, 2011, p. 23 (indirect image)
• Catherine Grenier, Salvador Dalí : l'invention de soi, Flammarion, Paris, 2011, p. 103
• Dalí, Centre Pompidou, Paris, 2012, p. 123
• Astrid Ruffa, Salvador Dalí : una mirada espiritual, La Central, Barcelona, 2013, p. 38
• Salvador Dalí, Instituto Tomie Ohtake, Sao Paulo, 2014, p. 60
• Perejaume, Mareperlers i ovaladors, Edicions 62, Museu Nacional d’Art de Catalunya, Barcelona, 2014, p. 160 (detail)
• Media - Dalí, K11 Art Foundation, Shanghai Culture Publishing House, Shanghai, 2015, p. 123 (indirect image) (detail)
• Salvador Dalí, Yomiuri Shimbun, Culture Promotion Department, Tokyo, 2016, p. 88 (detail), p. 91
• Estrella de Diego, Gala Salvador Dalí : una habitació pròpia a Púbol, Museu Nacional d’Art de Catalunya, Barcelona, 2018, p. 152

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