- Cat. no. P
- 243
La profanation de l'hostie (Profanation of the Host)
Cat. no. P 243
Profanation of the Host
c. 1930
Description
- Date:
- c. 1930
- Technique:
- Oil on canvas
- Dimensions:
- 100 x 73 cm
- Signature:
- Unsigned and undated
- Location:
- The Dalí Museum, St. Petersburg (Florida)
- Jean Cocteau
- Julien Levy, New York
- Sidney Janis Gallery, New York
- Justin K. Thannhauser
- E. and A. Reynolds Morse, Cleveland (Ohio)
- 1931, París, Pierre Colle, Exposition Salvador Dalí, 3-6-1931 - 15-6-1931, cat. no. 12
- 1940, New York, Julien Levy Gallery, A decade of painting : 1929-1939, 23-1-1940 - 25-2-1940, cat. no. 39
- 1944, New York, Art of this Century, First Exhibition in American Art of this Century, April 1944, cat. no. 2
- 1946, Boston, The Institute of Modern Art, Four Spaniards : Dali, Gris, Miro, Picasso, 24-1-1946 - 3-3-1946, cat. no. 19
- 1953, Santa Barbara, Santa Barbara Museum of Art, Fiesta Exhibition Picasso, Gris, Miro, Dali, 14-8-1953 - 30-8-1953, cat. no. 56
- 1965, New York, Gallery of Modern Art, Salvador Dalí, 1910-1965, 18-12-1965 - 13-3-1966, cat. no. 31
- 2007, St. Petersburg, Fl., Salvador Dalí Museum, Dalí and the Spanish Baroque, 2-2-2007 - 24-6-2007, cat. no. 15
- René Crevel, Dalí ou l'anti-obscurantisme, Éditions Surréalistes, Paris, 1931, il. V
- Surrealism, Faber & Faber, London, 1936, il. 23
- Salvador Dalí, Vida secreta de Salvador Dalí, Poseidón, Buenos Aires, 1944, il. 4
- Salvador Dalí, The IMS Press, Cleveland [Ohio], 1954, p. 47
- A. Reynolds Morse, Michel Tapié, Dalí: a study of his life and work, New York graphic Society, Greenwich [Connecticut], 1958, p. 21
- Max. Gérard, Dalí de Draeger, Blume, Barcelona, 1968, il. 69 (detail)
- Dali par Dali, Draeger, [París], 1970, p. 101 (detail)
- Ninety-three oils by Salvador Dalí : 1917-1970, The Salvador Dalí Museum, Cleveland, 1973, p. 149
- A. Reynolds Morse, Eleanor R. Morse, The Dalí adventure : 1943-1973, The Salvador Dalí Museum, Cleveland, [1973], il. 60 (indirect image)
- Salvador Dalí ... a panorama of his art, The Salvador Dalí Museum, Cleveland, 1974, p. 51, p. 149 (detail)
- Jacques Dopagne, Dalí, Fernand Hazan, Paris, 1974, il. 13, il. 14 (detail)
- Salvador Dalí, René Passeron, Salvador Dalí, Filipacchi, Paris, 1978, p. 27
- Salvador Dalí, selected works, Filipacchi, New York, 1979, p. 27
- Homage to Dalí, Chartwell Books, Secaucus, New Jersey, [1980], p. 24
- José Pierre, Détumescence et durée dans l'oeuvre de Salvador Dali, Centre Georges Pompidou, Paris, 1980, p. 8
- José Pierre, "Detumescence et durée dans l'oeuvre de salvador dalí et dans celle de claes oldenburg", Cahiers Du Musée National D'art Moderne, 31/01/1980, Paris, n. p.
- El Surrealismo, Cátedra, Madrid, 1983, [p. 159]
- Rafael Santos Torroella, La Miel es más dulce que la sangre : las épocas lorquiana y freudiana de Salvador Dalí, Seix-Barral, Barcelona, 1984, p. 188
- Sarane Alexandrian, Dalí, Fernand Hazan, Paris, 1985, il. 13, il. 14 (detail)
- Takahiko Okada, Dalí, Shueisha, [S.l.], 1986, p. 67
- Josep Vallès i Rovira, Dalí delit Empordà, Carles Vallès, Figueres, 1987, p. 103
- Dalí: the Salvador Dalí museum collection, Bulfinch, Boston. Toronto. London, 1991, il. 35
- A. Reynolds Morse, Dali's animal crackers, Salvador Dalí Museum, St. Petersburg, Florida, 1993, p. 127, p. 167, p. 167 (detail)
- Salvador Dalí: the early years, South Bank Centre, [London], 1994, p. 151
- Marco Di Capua, Dalí, Librairie Gründ, Paris, 1994, p. 97
- Robert Descharnes, Gilles Néret, Salvador Dalí, 1904 -1989, Benedikt Taschen, Köln, 1994, p. 150
- Haim Finkelstein, Salvador Dalí's art and writing, 1927-1942 : the metamorphoses of Narcissus, Cambridge University Press, Cambridge, 1996, p. 142
- Kenneth Wach, Salvador Dalí : masterpieces from the collection of the Salvador Dalí Museum, Harry N. Abrams, Salvador Dalí Museum, St. Petersburg, Florida, New York, 1996, p. 59
- Ian Gibson, The Shameful life of Salvador Dalí, Faber and Faber, London, 1997, il. XVIII
- Dawn Ades, Fiona Bradley, Salvador Dalí: a mythology, Tate Gallery Publishing, London, 1998, p. 42 (detail), p. 53
- Robert Goff, The Essential Salvador Dalí, Harry N. Abrams, New York, 1998, p. 52
- Salvador Dalí, Parkstone, England, 1999, p. 58
- Fèlix Fanés, El Gran masturbador, Electa, Madrid, 2000, p. 21
- Robert S. Lubar, The Salvador Dalí Museum collection, Bulfinch, Boston - New York - London, 2000, p. 57
- Juan Antonio Ramírez, Dalí: lo crudo y lo podrido, A. Machado Libros, Madrid, 2002, p. 40
- Marco Di Capua, Salvador Dalí : la vita e l'opera, Mondadori Electa, Milano, 2002, p. 97
- Obra completa : Álbum, Destino, Fundació Gala-Salvador Dalí, Sociedad Estatal de Conmemoraciones Culturales, [Madrid], [Figueres], Barcelona, 2004, p. 79 (indirect image)
- Persistence and memory : new critical perspectives on Dalí centennial, Bompiani, [Milà], 2004, p. 21
- Jean-Louis Gaillemin, Dali : le grand paranoïaque, Découvertes Gallimard Arts, Paris, 2004, p. 61
- Jean-Louis Gaillemin, Dalí the impresario of surrealism, Thames & Hudson, London, 2004, p. 61
- Jean-Louis Gaillemin, Dalí : master of fantasies, Harry N. Abrams, New York, 2004, p. 61, p. 61 (detail)
- Tonia Raquejo, Dalí: metamorfosis, Edilupa, [Madrid], 2004, p. 70
- Rafael Santos Torroella, El Primer Dalí, 1918-1929 : catálogo razonado, IVAM, Institut Valencià d'Art Modern, Generalitat Valenciana. Conselleria de Cultura, Educació i Esport, Publicaciones de la Residencia de Estudiantes, [València], [Madrid], 2005, p. 373
- Dalí and the Spanish Baroque, The Salvador Dalí Museum, St. Petersburg, 2006, p. 23 (detail)
- Salvador Dalí : La gare de Perpignan - Pop, Op, Yes-yes, Pompier, Hatje Cantz, Ostfildern, 2006, p. 73
- Salvador Dalí: an illustrated life, Tate Publishing, Fundació Gala-Salvador Dalí, Sociedad Estatal de Conmemoraciones Culturales - Ministerio de Cultura, [Madrid], [Figueres], London, 2007, p. 79
- Mª Mercè Riera i Arnijas, Dalí, Ciro, [Barcelona], 2008, p. 79, p. 142
- Dalí, Lorca y la Residencia de Estudiantes, Sociedad Estatal de Conmemoraciones Culturales, [Madrid], 2010, p. 274
- Roger Rothman, Tiny surrealism : Salvador Dalí and the aesthetics of the small, University of Nebraska, Lincoln & London, 2012, p. 176
- Shûzô Takigushi, Dalí : Tokio, 1939, Notari, Genève, 2012, il. 7 (indirect image)
- David Lomas, Simulating the marvellous : psychology - surrealism - postmodernism, Manchester University Press, Manchester, New York, 2013, p. 111
- Salvador Dalí, Instituto Tomie Ohtake, Sao Paulo, 2014, p.58 (indirect image)
- William Jeffett, Juan José Lahuerta, Picasso-Dalí, Dalí-Picasso, Museu Picasso, Salvador Dalí Museum, Sant Petersburg, Barcelona, 2014, p. 169
The copyright on Salvador Dalí's works, included those that are reproduced in this Web page, is held by the Spanish State and has been granted in exclusivity to the Fundació Gala-Salvador Dalí.
Pursuant to intellectual property laws in force, the total or partial reproduction, distribution, transformation, public communication, interactively making available to the public, as well as any other exploitation, by any means, of the works included in this Web page is prohibited.
Any exploitation of Salvador Dalí's works is subject to the prior application and clearance of the relevant licence issued by VEGAP (tel. 91 532 66 32 and 93 201 03 31 ; www.vegap.es). Copyright infringement will be prosecuted according to Laws.