- Cat. no. P
- 335
Les atavismes du crépuscule (phénomène obsessif) (Atavism at twilight (Obsessional Phenomenon))

Cat. no. P 335
Atavism at twilight (Obsessional Phenomenon)
c. 1933
Description
- Date:
- c. 1933
- Technique:
- Oil on wood panel
- Dimensions:
- 13.8 x 17.9 cm
- Signature:
- Signed lower left corner at a later date: Dalí
- Location:
- Kunstmuseum, Bern. Georges F. Keller bequest, 1981
- Mr. and Mrs. Gardner Cox, Cambridge, Mass.
- Georges F. Keller
- 1933, París, Pierre Colle, Exposition Salvador Dali, 19-6-1933 - 29-6-1933, cat. no. 6
- 1933, New York, Julien Levy Gallery, Exhibition of Paintings by Salvador Dalí, 21-11-1933 - 8-12-1933, cat. no. 5
- 1946, Boston, The Institute of Modern Art, Four Spaniards : Dali, Gris, Miro, Picasso, 24-1-1946 - 3-3-1946, cat. no. 2
- 1983, Barcelona, Palau Reial de Pedralbes, 400 obres de Salvador Dalí del 1914 al 1983, 10-6-1983 - 31-7-1983, cat. no. 148
- 2002, París, Centre Pompidou, La Révolution surréaliste, 6-3-2002 - 24-6-2002, no reference
- 2004, Venezia, Palazzo Grassi, Dalí, 12-9-2004 - 16-1-2005, cat. no. 118
- 2006, Köln, Museum Ludwig, Salvador Dalí : La gare de Perpignan - Pop, Op, Yes-yes, Pompier, 18-3-2006 - 25-6-2006, cat. no. 41
- cover (detail)
- René Crevel, "Surrealisme", Vu, année 6, num. 275, 21-27/06/1933, Paris, p. 923 (detail)
- Exposition Minotaure, Palais des Beaux-Arts, Bruxelles, 1934, n. p.
- A. Reynolds Morse, Michel Tapié, Dalí: a study of his life and work, New York graphic Society, Greenwich [Connecticut], 1958, p. 34
- Salvador Dalí, Le Mythe tragique de l'Angélus de Millet : interprétation "paranoïaque-critique", Jean-Jacques Pauvert, Paris, 1963, p. 48
- Guy Isnard, "Le complexe de l'Angélus", Jardin Des Arts, 30/06/1965, Paris, p. 17 (detail)
- Salvador Dalí, André Parinaud, Comment on devient Dalí, Robert Laffont, Paris, 1973, n. p. (detail)
- Tadao Ogura, Robert Descharnes, L'Art moderne du monde, Shueisha, Tokyo, 1974, il. 30, p. 106
- Salvador Dalí, André Parinaud, Confesiones inconfesables, Bruguera, Barcelona [etc.], 1975, n. p. (detail)
- Robert Descharnes, S. Terayama, Dalí: the book of great masters, Zauho, Tokyo, 1978, il. 28
- Salvador Dalí: rétrospective, 1920-1980, Centre Georges Pompidou, Musée National d'Art moderne, Paris, 1979, p. 322
- Salvador Dalí, The Tate Gallery, London, 1980, il. XXVIII
- Josep Pla, Salvador Dalí (il.), Obres de museu, DASA, Figueres, 1981, p. 37
- Dalí i els llibres, Generalitat de Catalunya. Departament de Cultura., Barcelona, 1982, p. 69
- Rétrospective Salvador Dalí 1982, Edition Art Life, [S.l.], 1982, p. 34, Il 6
- Dawn Ades, Dalí and surrealism, Harper & Row, New York, 1982, p. 146
- 400 obres de Salvador Dalí del 1914 al 1983, Obra Cultural de la Caixa de Pensions, [Madrid], 1983, p. 106
- El Surrealismo, Cátedra, Madrid, 1983, p. [161]
- Gemma Romagosa, "Dalí y el mito trágico del Angelus de Millet", LA VANGUARDIA, 21/06/1983, Barcelona, n. p. (detail)
- s. a., ""Ich war phänomenal"", Der Spiegel, 17/09/1984, Hamburg, p. 226 (detail)
- Salvador Dalí, Rafael Santos Torroella, Salvador Dalí corresponsal de J.V. Foix, 1932-1936, Mediterrània, Barcelona, 1986, p. 51 (indirect image)
- Takahiko Okada, Dalí, Shueisha, [S.l.], 1986, p. 26
- Josep Vallès i Rovira, Dalí delit Empordà, Carles Vallès, Figueres, 1987, p. 22
- Paul Moorhouse, Dalí, Magna Books, Wigston [Anglaterra], 1990, p. 63
- Dalí exhibition, Mitsukoshi Museum of Art, Tokyo, 1991, p. 14
- Eric Shanes, Dalí, Debate, Madrid, 1991, p. 67
- Dalí Vision, Mediterrània, Barcelona, 1992, p. 63
- Pintura y escultura española del siglo XX : 1900-1939, Espasa-Calpe, Madrid, 1993, p. 491
- Marco Di Capua, Dalí, Librairie Gründ, Paris, 1994, p. 158
- Robert Descharnes, Gilles Néret, Salvador Dalí, 1904 -1989, Benedikt Taschen, Köln, 1994, p. 213
- Ruth Amossy, Dalí ou le filon de la paranoïa, Presses Universitaires de France, Paris, 1995, p. 63
- Gilles Néret, Salvador Dalí : 1904-1989, Evergreen (Benedikt Taschen), [Köln], 1996, p. 34
- Jean-Paul Clebert, Dictionnaire du surréalisme, Seuil, [París], 1996, p. 39
- Von Matisse bis Dalí : Das Legat Georges F. Keller an das Kunstmuseum Bern = De Matisse à Dalí : le legs Georges F. Keller au Musée des beaux-arts de Berne, Kunstmuseum Bern, Bern, 1998, p. 195, p. 200 (indirect image)
- Salvador Dalí, Parkstone, England, 1999, p. 78 - 79
- Agustín Sánchez Vidal, Salvador Dalí, Electa, Madrid, 1999, p. 25
- Antoni Gaudí Salvador Dalí, Loft, Barcelona, 2002, p. 81
- La Révolution surréaliste, Éditions du Centre Pompidou, Paris, 2002, p. 208
- Surrealismus 1919 - 1944 : Dalí, Max Ernst, Magritte, Miró, Picasso..., K20 Kunstsammlung Nordrhein-Westfalen, Hatje Cantz, Ostfildern-Ruit, Düsseldorf, 2002, p. 212
- Juan Antonio Ramírez, Dalí: lo crudo y lo podrido, A. Machado Libros, Madrid, 2002, p. 57
- Les Essentiels de l'art Dalí, Ludion, Amsterdam, 2003, p. 134
- Surrealism, politics and culture, Ashgate, Aldershot, Hampshire, 2003, p. [211]
- The Portable Dalí, Universe, New York, 2003, p. 134
- Salvador Dalí, Obra completa : Textos autobiográficos 2, Destino, Fundació Gala-Salvador Dalí, Sociedad Estatal de Conmemoraciones Culturales, [Madrid], [Figueres], Barcelona, 2003, n. p. (detail)
- Xavier Barral i Altet, Les Indigestions de Dalí, Edicions de 1984, Barcelona, 2003, p. 37
- Dalí, Bompiani, [Milà], 2004, p. 195
- Luis-Salvador López Herrero, La Cara oculta de Salvador Dalí, Síntesis, Madrid, 2004, p. 154
- Tonia Raquejo, Dalí: metamorfosis, Edilupa, [Madrid], 2004, p. 58 (detail)
- s. a., "DALI I LA CULTURA DE MASSES", Presència, 30/01/2004, s. l., p. 5
- Jordana Mendelson, Documenting Spain : artists, exhibition culture and the modern nation, 1929-1939, Pennsylvania State University Press, University Park, Pa., 2005, p. 203
- Salvador Dalí, Obra completa : Ensayos 2, Destino, Fundació Gala-Salvador Dalí, Sociedad Estatal de Conmemoraciones Culturales, [Madrid], [Figueres], Barcelona, 2005, p. 456
- Vicent Santamaria de Mingo, El Pensament de Salvador Dalí en el llindar dels anys trenta, Publicacions de la Universitat Jaume I, Castelló de la Plana, 2005, p. 269 (detail)
- Dali's universe and masterpieces of surrealists, The Museum of Art, Ehime (Japó), [2006], p. 9
- Salvador Dalí : La gare de Perpignan - Pop, Op, Yes-yes, Pompier, Hatje Cantz, Ostfildern, 2006, p. 44
- Agustín Sánchez Vidal, Salvador Dalí, Fundación Mapfre. Instituto de Cultura, Madrid, 2007, p. 62
- Juan Antonio Ramírez, El Objeto y el aura : (des)orden visual del arte moderno, Akal, Madrid, 2009, p. 95
- Montse Aguer i Teixidor, Los tesoros de Salvador Dalí, Librería Universitaria, Barcelona, 2009, p. 37
- Catherine Grenier, Salvador Dalí : l'invention de soi, Flammarion, Paris, 2011, p. 119
- Dalí, Centre Pompidou, Paris, 2012, p. 26
- Marc Aufraise, Caroline Barbier de reulle, Marijke Peyser-Verhaar, Astrid Ruffa, Mathilde Hamel, Gabriel Montua, Les Cahiers du Musée national d'art moderne, Éditions du Centre Pompidou, Paris, 2012, p. 78
- Roger Rothman, Tiny surrealism : Salvador Dalí and the aesthetics of the small, University of Nebraska, Lincoln & London, 2012, p. 104
- Shûzô Takigushi, Dalí : Tokio, 1939, Notari, Genève, 2012, il. 22 (indirect image)
- Astrid Ruffa, Salvador Dalí : una mirada espiritual, La Central, Barcelona, 2013, p. 57
- Dali : poetics of the small, 1929-1936, Meadows Museum, Dallas, 2018, p. 109
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