Les accommodations des désirs (Accommodations of Desire)

• André Breton, Paris
• Julien Levy Gallery, New York
• Wright Ludington, Santa Barbara (Clifòrnia)
• Julien Levy, Bridgewater, Connecticut
• Auctioned at Sotheby's, New York, November 4th, 1981
• Jacques and Nastasha Gelman, Mexico

• 1929, París, Galerie Goemans, Dalí, 20-11-1929 - 5-12-1929, cat. no. 2
• 1931, París, Pierre Colle, Exposition Salvador Dalí, 3-6-1931 - 15-6-1931, cat. no. 5
• 1938, Hartford, Wadsworth Atheneum, The Painters of Still Life, 25-1-1938 - 15-2-1938, cat. no. 35
• 1941, New York, The Museum of Modern Art, Salvador Dalí, 19-11-1941 - 11-1-1942, cat. no. 5
• 1942, Indianapolis, The John Herron Art Institute (Indianapolis Museum of Art), [Exhibition of paintings by Salvador Dali], 5-4-1942 - 4-5-1942, cat. no. 5
• 1953, Santa Barbara, Santa Barbara Museum of Art, Fiesta Exhibition Picasso, Gris, Miro, Dali, 14-8-1953 - 30-8-1953, cat. no. 55
• 1965, New York, Gallery of Modern Art, Salvador Dalí, 1910-1965, 18-12-1965 - 13-3-1966, cat. no. 245
• 1967, New York, Knoedler Gallery, Space and dream, 5-12-1967 - 29-12-1967, no reference
• 1968, New York, The Museum of Modern Art, Dada, surrealism, and their heritage, 27-3-1968 - 9-6-1968, cat. no. 58
• 1970, Rotterdam, Museum Boymans-van Beuningen, Dalí, 21-11-1970 - 10-1-1971, cat. no. 11
• 1979, París, Centre Georges Pompidou, Musée National d'Art Moderne, Salvador Dalí: rétrospective, 1920-1980, 18-12-1979 - 21-4-1980, cat. no. 58
• 1991, París, Centre Georges Pompidou, André Breton, la beauté convulsive, 25-4-1991 - 26-8-1991, no reference
• 1994, London, Hayward Gallery, Salvador Dalí: the early years, 3-3-1994 - 30-5-1994, cat. no. 116
• 2001, London, Tate Modern, Surrealism desire unbound, 20-9-2001 - 1-1-2002, il. 2
• 2004, Venezia, Palazzo Grassi, Dalí, 12-9-2004 - 16-1-2005, cat. no. 69
• 2006, Cleveland, Ohio. USA, Cleveland Museum of Art, Barcelona and Modernity: Picasso, Gaudí, Miró, Dalí, 15-10-2006 - 7-1-2007, cat. no. 7:33
• 2007, Nueva York, NY, Metropolitan Museum of Art, Barcelona and Modernity: Picasso, Gaudí, Miró, Dalí, 7-3-2007 - 3-6-2007, cat. no. 7:33
• 2007, London, Tate Modern, Dalí & Film, 1-6-2007 - 9-9-2007, il. 35
• 2018, Dallas, Meadows Museum, SMU, Dalí: Poetics of the Small, 1929-1936, 9-9-2018 - 9-12-2018, cat. no. 1

• From the Ludington Collection, [S.n.], [S.l.], [s.d.], p. 35
• n. p.
• Salvador Dalí, "Les accommodations des désirs (il)", La Révolution Surréaliste, 15/12/1929, Paris, p. 18, p. 20 (detail)
• Julien Levy, Surrealism, The Black Sun Press, New York, 1936, p. 169
• James Thrall Soby, Salvador Dalí, The Museum of Modern Art, New York, 1941, p. 35
• Salvador Dalí, The Secret Life of Salvador Dalí, Dial Press, New York, 1942, p. V (detail)
• André Breton, Le Surréalisme et la peinture : suivi de Genèse et perspectives artistiques du surréalisme et de fragments inédits, Brentano's, New York, 1945, n. p.
• Salvador Dalí, The Secret life of Salvador Dalí, Vision, London, 1948, Il. V
• s. a., "San Francisco sees the Ludington collection", Art News, 30/06/1948, New York, n. p. (detail)
• Juan Antonio Gaya Nuño, Salvador Dalí, Omega, Barcelona, 1950, il. 9
• Hijo Chicharro, "¿Hasta donde se contradice Salvador Dali ?", Correo Literario, 01/06/1950, Madrid, p. 1
• Armand Lanoux, "Salvador Dali "monstre sacré"", Jardin Des Arts, 30/09/1955, Paris, n. p. (detail)
• André Barbault, Cancer, Du Seuil, [París], 1957, p. 86-87 (detail)
• A. Reynolds Morse, Michel Tapié, Dalí: a study of his life and work, New York graphic Society, Greenwich [Connecticut], 1958, p. 25
• Marcel Jean, Histoire de la peinture surréaliste, Éditions du Seuil, Paris, 1959, p. 202
• Salvador Dalí, 1910-1965, The Foundation for Modern Art, New York, 1965, p. 39
• Salvador Dalí, "Qui est Salvador Dali? Autoportrait anecdotique par Salvador Dali", Â la Page, 31/01/1965, Paris, p. [33] (detail)
• Paul H. Walton, Dali / Miró, Tudor Publishing Company, New York, 1967, p. 44
• Robert Goldwater, Space and dream, Walker and Company, New York, 1967, p. 38
• Max. Gérard, Dalí de Draeger, Blume, Barcelona, 1968, il. 150 (detail), il. 240 (detail)
• William S. Rubin, Dada, surrealism, and their heritage, The Museum of Modern Art, New York, 1968, p. 109
• Eliot Fremont-smith, "Fun, If You Have an Iron Stomach", Journal, 17/03/1968, Winston-salem, S.c., n. p. (detail)
• Dali par Dali, Draeger, [París], 1970, p. 110-111 (detail), p. 116-117 (detail)
• Dalí, Museum Boymans-van Beuningen, Rotterdam, 1970, il. 11
• Carlo Sala, Max Ernst et la démarche onirique, Klincksieck, Paris, 1970, il. 34 (detail)
• José Angelo Gaiarsa, Respiraçao e imaginaçao, Jose Angelo Gaiarsa, Sao Paulo, 1971, p. 19 (detail)
• Three generations of twentieth-century art : the Sidney and Harriet Janis collection of the Museum of Modern Art, Museum of Modern Art, New York, 1972, p. 180
• Max. Gérard, Dalí... Dalí... Dalí..., Harry N. Abrams, New York, 1974, il. 81
• Tadao Ogura, Robert Descharnes, L'Art moderne du monde, Shueisha, Tokyo, 1974, il. 19, p. 102
• Antonio Fernández Molina, Dalí, Ministerio de Educación y Ciencia. Servicio de Publicaciones, [Pamplona], 1978, p. 54 (detail)
• Calvin Tomkins, Duchamp et son temps : 1887-1968, Time-Life International, Nederland, 1978, p. 139
• Salvador Dalí: rétrospective, 1920-1980, Centre Georges Pompidou, Musée National d'Art moderne, Paris, 1979, p. 129
• André Breton, Le Surréalisme et la peinture, Gallimard, [París], 1979, p. 73
• Hommage à Dalí, Vilo, Paris, 1980, p. 90
• Salvador Dalí, The Tate Gallery, London, 1980, il. III
• Paintings, drawings, and sculpture from the Julien Levy collection, Sotheby's Parke Bernet, New York, 1981, il. 32
• Dawn Ades, Dalí and surrealism, Harper & Row, New York, 1982, p. 86
• El Surrealismo, Cátedra, Madrid, 1983, p. [164]
• Conroy Maddox, Dalí, Benedick Taschen, Köln, 1983, p. 17
• Conroy Maddox, Dalí, Newness Books, Feltham [Middlesex], 1983, p. 16
• Takahiko Okada, Dalí, Shueisha, [S.l.], 1986, p. 19
• Robert Lebel, Michel Sanouillet, Patrick Waldberg, Der Surrealismus : Dadaismus und metaphysische Malerei, Taschen, Köln, 1987, p. 200
• Paul Moorhouse, Dalí, Magna Books, Wigston [Anglaterra], 1990, p. 40-41
• René Passeron, Salvador Dalí, Ars Mundi, [S.l.], 1990, p. 31
• André Breton, la beauté convulsive, Centre Georges Pompidou, Paris, 1991, p. 70 (indirect image), p. 279
• Luis Romero, PsicoDálico Dalí, Mediterranea, Barcelona, 1991, p. 70
• A. Reynolds Morse, Dali's animal crackers, Salvador Dalí Museum, St. Petersburg, Florida, 1993, p. 14 (2 details), p. 166 (detail)
• Briony Fer, David Batchelor, Paul Wood, Realism, rationalism, surrealism : art between the wars, Yale University Press in association with the Open University, New Haven & London, 1993, p. 172
• Meredith Etherington-Smith, The Persistence of memory : a biography of Dalí, Random House, New York, 1993, n. p.
• Dalí, the early years : talks and events, Hayward Gallery, London, 1994, n. p.
• Salvador Dalí: the early years, South Bank Centre, [London], 1994, p. 152 (detail), p. 184
• Jessica Hodge, Salvador Dali, Barnes & Noble, New York, 1994, p. 56-57
• Marco Di Capua, Dalí, Librairie Gründ, Paris, 1994, p. 105
• Robert Descharnes, Gilles Néret, Salvador Dalí, 1904 -1989, Benedikt Taschen, Köln, 1994, p. 148
• Christopher Masters, Dalí, Phaidon, London, 1996, p. 13
• Gilles Néret, Salvador Dalí : 1904-1989, Evergreen (Benedikt Taschen), [Köln], 1996, p. 24
• Haim Finkelstein, Salvador Dalí's art and writing, 1927-1942 : the metamorphoses of Narcissus, Cambridge University Press, Cambridge, 1996, p. 98
• Ralf Schiebler, Dalí : genius, obsession and lust, Prestel, Munich - New York, 1996, p. 45
• Gérard Durozoi, Histoire du mouvement surréaliste, Hazan, Paris, 1997, p. 149
• Robert Radford, Dalí, Phaidon, London, 1997, p. 129
• Gilles Néret, Salvador Dalí : 1904-1989, Taschen, Köln, [etc.], 1999, p. 24
• Dalí's optical illusions, Wadsworth Atheneum Museum of Art, Hartford, Connecticut, 2000, p. 52
• David Lomas, The Haunted self : surrealism, psychoanalysis, subjectivity, Yale University Press, New Haven, London, 2000, p. 148
• Fèlix Fanés, El Gran masturbador, Electa, Madrid, 2000, p. 9, p. 11 (detail)
• Surrealism desire unbound, Tate Publishing, London, 2001, p. 12
• Simon Wilson, Surrealist painting, Phaidon, London, New York, 2001, p. 198
• Gérard Durozoi, History of the surrealist movement, The University of Chicago Press, Chicago, London, 2002, p. 143
• Les Essentiels de l'art Dalí, Ludion, Amsterdam, 2003, p. 79
• The Portable Dalí, Universe, New York, 2003, p. 79
• Dalí, Bompiani, [Milà], 2004, p. 123
• Beatriz Fernández Ruiz, De Rabelais a Dalí : la imagen grotesca del cuerpo, Universitat de València, València, 2004, p. 258
• Enric Bou, Daliccionario : objetos, mitos y símbolos de Salvador Dalí, Tusquets, Barcelona, 2004, p. 14 (detail)
• Fèlix Fanés, La Pintura y sus sombras : cuatro estudios sobre Salvador Dalí, Museo de Teruel, Teruel, 2004, p. 61
• Jean-Louis Gaillemin, Dali : le grand paranoïaque, Découvertes Gallimard Arts, Paris, 2004, p. 52
• Jean-Louis Gaillemin, Dalí : master of fantasies, Harry N. Abrams, New York, 2004, p. 52
• Jean-Louis Gaillemin, Dalí the impresario of surrealism, Thames & Hudson, London, 2004, p. 52
• Tonia Raquejo, Dalí: metamorfosis, Edilupa, [Madrid], 2004, p. 72
• Vicent Santamaria de Mingo, El Pensament de Salvador Dalí en el llindar dels anys trenta, Publicacions de la Universitat Jaume I, Castelló de la Plana, 2005, p. 226 (detail)
• s. a., "The Grand Master of Surrealism Salvador Dali", Usa today magazine, 31/05/2005, McLean, VA, p. 39
• Marta Luna, Toni Matas, Dalí i els altres secrets, Distribucions d'Art Surrealista, Figueres, 2006, p. 17
• William H. Robinson, Jordi Falgàs, Carmen Belén Lord, Barcelona and Modernity: Picasso, Gaudí, Miró, Dalí, Cleveland Museum of Art, Yale University Press, New Haven & London, Cleveland, 2006, p. 348
• Dalí & film, Tate Publishing, London, 2007, p. 59
• Alessandro Del Puppo, Dalí et le surréalisme, E-ducation.it S.p.A, Florence, 2008, p. 120-121, 124-125 (detail)
• Un perro andaluz 80 años después, Sociedad Estatal de Conmemoraciones Culturales, La Fábrica, Madrid, 2009, p. 138
• Montse Aguer i Teixidor, Los tesoros de Salvador Dalí, Librería Universitaria, Barcelona, 2009, p. 20
• Dalí, Lorca y la Residencia de Estudiantes, Sociedad Estatal de Conmemoraciones Culturales, [Madrid], 2010, p. 284 (detail)
• Culture Chanel, Museum of Contemporary Art [MoCA], Shanghai, 2011, p. 260-261
• Catherine Grenier, Salvador Dalí : l'invention de soi, Flammarion, Paris, 2011, p. 102
• Ralf Schiebler, Dalí : the reality of dreams, Prestel, New York, Munich, London, 2011, p. 45
• Roger Rothman, Tiny surrealism : Salvador Dalí and the aesthetics of the small, University of Nebraska, Lincoln & London, 2012, p. 69
• Shûzô Takigushi, Dalí : Tokio, 1939, Notari, Genève, 2012, il. 3 (indirect image)
• Poesía, cine y humor : relatos de excepción en los años de autarquía, Museo Nacional Centro de Arte Reina Sofía, Madrid, 2017, p. 181 (indirect image)
• Dali : poetics of the small, 1929-1936, Meadows Museum, Dallas, 2018, p. 92 (detall), p. 93, p. 94 (detall)

The copyright on Salvador Dalí's works, included those that are reproduced in this Web page, is held by the Spanish State and has been granted in exclusivity to the Fundació Gala-Salvador Dalí.

Pursuant to intellectual property laws in force, the total or partial reproduction, distribution, transformation, public communication, interactively making available to the public, as well as any other exploitation, by any means, of the works included in this Web page is prohibited.

Any exploitation of Salvador Dalí's works is subject to the prior application and clearance of the relevant licence issued by VEGAP (tel. 91 532 66 32 and 93 201 03 31 ; www.vegap.es). Copyright infringement will be prosecuted according to Laws.