Les plaisirs illuminés (Illuminated Pleasures)

• Galerie Goemans, Paris
• Louis Aragon, Paris
• Paul Éluard, París
• Julien Levy Gallery, New York
• Sidney and Harriet Janis, New York

• 1929, París, Galerie Goemans, Dalí, 20-11-1929 - 5-12-1929, cat. no. 3
• 1934, New York, The Museum of Modern Art, Modern Works of Art : 5th Anniversary Exhibition, 20-11-1934 - 20-1-1935, cat. no. 60
• 1935, Chicago, The Arts Club of Chicago, Exhibition of the Sidney Janis Collection of Modern Paintings, 5-4-1935 - 24-4-1935, cat. no. 16
• 1936, New York, The Museum of Modern Art, Fantastic art dada surrealism, 9-12-1936 - 17-1-1937, cat. no. 310
• 1941, New York, The Museum of Modern Art, Salvador Dalí, 19-11-1941 - 11-1-1942, cat. no. 4
• 1942, Indianapolis, The John Herron Art Institute (Indianapolis Museum of Art), [Exhibition of paintings by Salvador Dali], 5-4-1942 - 4-5-1942, cat. no. 4
• 1943, Detroit, Detroit Institute of Arts, Exhibition of paintings by Salvador Dali, 15-3-1943 - 12-4-1943, no reference
• 1960, New York, The Finch College Art Gallery and Museum, Paintings, drawings and watercolors of Salvador Dali, 23-5-1960 - 18-6-1960, cat. no. 2
• 1964, New York, Sidney Janis Gallery, A selection of 20th Century art of 3 generations, 24-11-1964 - 26-12-1964, cat. no. 4
• 1965, New York, Gallery of Modern Art, Salvador Dalí, 1910-1965, 18-12-1965 - 13-3-1966, cat. no. 27
• 1968, New York, The Museum of Modern Art, The Sidney and Harriet Janis Collection. A Gift to The Museum of Modern Art, 1-1-1968 - 31-12-1968, no reference
• 1968, New York, The Museum of Modern Art, Dada, surrealism, and their heritage, 27-3-1968 - 9-6-1968, cat. no. 60
• 1970, Basel, Kunsthalle Basel, Sidney and Harriet Janis Collection, 28-2-1970 - 30-3-1970, cat. no. 11
• 1991, París, Centre Georges Pompidou, André Breton, la beauté convulsive, 25-4-1991 - 26-8-1991, no reference
• 1994, London, Hayward Gallery, Salvador Dalí: the early years, 3-3-1994 - 30-5-1994, cat. no. 114
• 2001, Tokyo, Ueno Royal Museum, Masterworks from the Museum of Modern Art, New York : 1900-1955, 6-10-2001 - 3-2-2002, cat. no. 15
• 2004, Venezia, Palazzo Grassi, Dalí, 12-9-2004 - 16-1-2005, cat. no. 70
• 2007, London, Tate Modern, Dalí & Film, 1-6-2007 - 9-9-2007, il. 36

• El Arte y el mundo moderno, Planeta, Barcelona, [s.d.], p. 24
• Hans L. Jaffe, El Arte del siglo XX, Edaf, Madrid, [s.d.], p. 183
• s. a., "Introduction a 1930", La Révolution Surréaliste, 15/12/1929, Paris, p. 64 (detail)
• Salvador Dalí, "Lettre d'Arthur Rimbaud à Lucien Hubert, Ministre de la Justice", La Révolution Surréaliste, 15/12/1929, Paris, p. 29
• Focius, "Meridians", La Publicitat, 01/01/1930, Barcelona, p. 6 (detail)
• Modern works of art : fifth anniversary exhibition, The Museum of Modern Art, New York, 1934, il. 60
• Salvador Dalí, La Conquête de l'irrationnel, Éditions Surréalistes, Paris, 1935, il. 3
• Jr. Alfred H. Barr, Fantastic Art Dada Surrealism, The Museum of Modern Art, New York, 1936, il. 310
• Julien Levy, Surrealism, The Black Sun Press, New York, 1936, p. 166
• s. a., "Les plaisirs illuminées (il.)", Buffalo Courier Express, 05/01/1936, Buffalo, NY, p. 2 (detail)
• s. a., "Peek at art", Peek Magazine, 31/01/1938, Mount Morris, Illinois, p. 19 (detail)
• s. a., "Is Modernism modern?", New York Times, 12/03/1939, New York, p. 141 (detail)
• James Thrall Soby, Salvador Dalí, The Museum of Modern Art, New York, 1941, p. 34
• Sidney Janis, Abstract & surrealist art in America, Reynal & Hitchcock, New York, 1944, p. 28
• Emily Genauer, "Noted Amateurs Paint for Urban League", New York World Telegram, 28/09/1948, New York, n. p. (detail)
• Illusionism & trompe l'oeil, California Palace of the Legion of Honor, San Francisco, 1949, p. 47 (detail)
• Dalí, Les Éditions du Chêne, Paris, 1957, p. 4 (detail)
• A. Reynolds Morse, Michel Tapié, Dalí: a study of his life and work, New York graphic Society, Greenwich [Connecticut], 1958, p. 25
• Marcel Jean, Histoire de la peinture surréaliste, Éditions du Seuil, Paris, 1959, p. 200
• Lola Aguado, "Los tres maestros españoles de la pintura mundial de hoy. ¿Quién es Dalí?", Gaceta Ilustrada, 03/02/1962, Madrid, n. p. (detail)
• A Selection of 20th Century Art of 3 Generations, Sidney Janis Gallery, New York, 1964, n. p.
• Salvador Dalí, 1910-1965, The Foundation for Modern Art, New York, 1965, p. 40
• George P. Elliott, "Nihilism for the Camera's Eye", New York Post, 21/08/1966, New York, N.y., n. p. (detail)
• Patrick Waldberg, Michel Sanouillet, L'Arte moderna : metafisica, dada, surrealismo, Fratelli Fabbri, Milano, 1967, p. 62
• s. a., "Voice of Broadway", Sentinel, 27/09/1967, Pomeroy, Ohio, p. 152
• F. Teri Wehn, ""No strings attached" the janis gift", Art In America, 31/12/1967, New York, N.y., n. p. (detail)
• The Sidney and Harriet Janis Collection. A Gift to The Museum of Modern Art, The Museum of Modern Art, New York, [1968], p. 11
• Max. Gérard, Dalí de Draeger, Blume, Barcelona, 1968, il. 149 (detail), il. 153 (2 details)
• William S. Rubin, Dada, surrealism, and their heritage, The Museum of Modern Art, New York, 1968, p. 109
• Paul Richard, "How To Stifle a Dadaist", Post Times Herald, 07/04/1968, Washington, D.c., n. p. (detail)
• Carlton Lake, In quest of Dali, G.P. Putnam's Sons, New York, 1969, n. p. (detail)
• Herbert S. Gershman, The Surrealist revolution in France, Ann Arbor, The University of Michigan Press, Michigan, [S.l.], 1969, p. 21
• Marianna Minola de Gallotti, ""Dada, surrealismo y su herencia"", La Vanguardia Española, 01/01/1969, Barcelona, p. 18
• Dali par Dali, Draeger, [París], 1970, p. 108-109 (detail)
• Carlo Sala, Max Ernst et la démarche onirique, Klincksieck, Paris, 1970, il. 33 (detail)
• El Arte del Surrealismo, Ministerio de Educación y Cultura, Montevideo, Uruguay, 1971, p. 17 (detail)
• Three generations of twentieth-century art : the Sidney and Harriet Janis collection of the Museum of Modern Art, Museum of Modern Art, New York, 1972, p. 53, p. 64 (imatge indireta)
• Ninety-three oils by Salvador Dalí : 1917-1970, The Salvador Dalí Museum, Cleveland, 1973, p. 171 (detail)
• Salvador Dalí : a guide to his works in public museums, The Dalí Museum, Cleveland [Ohio], 1973, p. [39]
• Salvador Dalí ... a panorama of his art, The Salvador Dalí Museum, Cleveland, 1974, p. 171 (detail)
• Jacques Dopagne, Dalí, Fernand Hazan, Paris, 1974, il. 8 (detail)
• Max. Gérard, Dalí... Dalí... Dalí..., Harry N. Abrams, New York, 1974, il. 84
• Tadao Ogura, Robert Descharnes, L'Art moderne du monde, Shueisha, Tokyo, 1974, il. 20, p. 102
• José Pierre, Le Surréalisme, Fernand Hazan, Paris, 1978, n. p.
• Malcolm Haslam, The Real world of the surrealists, Gallery Press, New York, 1978, p. 186-187 (detail)
• Robert Descharnes, S. Terayama, Dalí: the book of great masters, Zauho, Tokyo, 1978, il. 26 (detail)
• Salvador Dalí: rétrospective, 1920-1980, Centre Georges Pompidou, Musée National d'Art moderne, Paris, 1979, p. 127, p. 128 (5 details)
• La Vie publique de Salvador Dalí, Centre Georges Pompidou, Musée National d'Art moderne, Paris, 1980, p. 96 (indirect image)
• Salvador Dalí, The Tate Gallery, London, 1980, il. II
• Guglielmo Bernardi, "Salvador Dalí", Pan, 04/1981, Offenburgh, p. 5 (detail)
• Dawn Ades, Dalí and surrealism, Harper & Row, New York, 1982, p. 86
• El Surrealismo, Cátedra, Madrid, 1983, p. [163]
• Conroy Maddox, Dalí, Newness Books, Feltham [Middlesex], 1983, p. 16
• Rafael Santos Torroella, La Miel es más dulce que la sangre : las épocas lorquiana y freudiana de Salvador Dalí, Seix-Barral, Barcelona, 1984, p. 185
• Sarane Alexandrian, Dalí, Fernand Hazan, Paris, 1985, il. 7
• Salvador Dalí, Diary of a genius, Prentice-Hall, New York, 1986, n. p.
• Takahiko Okada, Dalí, Shueisha, [S.l.], 1986, p. 20
• Ecrire sur soi en Espagne: models et ecarts, Publications Université de Provence, Aix-en-Provence, 1988, p. 267, p. 267 (detail)
• Salvador Dalí, Meisterwerke der dreissiger Jahre, Schirmer-Mosel, München, 1989, il. 1
• Paul Moorhouse, Dalí, Magna Books, Wigston [Anglaterra], 1990, p. 39
• André Breton, la beauté convulsive, Centre Georges Pompidou, Paris, 1991, p. 279
• André Breton y el surrealismo, Ministerio de Cultura, [Madrid], 1991, p. 239
• Luis Romero, PsicoDálico Dalí, Mediterranea, Barcelona, 1991, p. 76
• Alessandr Rogin, [Salvador Dalí : el mite i la realitat], Republica, Moscou, 1992, p. 30 (detail)
• Diane Waldman, Collage, assemblage, and the found object, Phaidon Press, London, 1992, p. 179 (detail)
• A. Reynolds Morse, Dali's animal crackers, Salvador Dalí Museum, St. Petersburg, Florida, 1993, p. 168 (detail)
• Juan Antonio Ramírez, Duchamp, el amor y la muerte, incluso, Siruela, Madrid, 1993, p. 226 (detail)
• Mike Venezia, Salvador Dalí, Children Press, Chicago, 1993, p. 22
• Salvador Dalí: the early years, South Bank Centre, [London], 1994, p. 183
• Marco Di Capua, Dalí, Librairie Gründ, Paris, 1994, p. 100
• Robert Descharnes, Gilles Néret, Salvador Dalí, 1904 -1989, Benedikt Taschen, Köln, 1994, p. 149
• Christopher Masters, Dalí, Phaidon, London, 1996, p. 59
• Haim Finkelstein, Salvador Dalí's art and writing, 1927-1942 : the metamorphoses of Narcissus, Cambridge University Press, Cambridge, 1996, p. 99
• Ralf Schiebler, Dalí : genius, obsession and lust, Prestel, Munich - New York, 1996, p. 42 (detail)
• Madrid - Barcelona 1930-1936. La tradició d'alló que és nou, Fundació La Caixa, Barcelona, 1997, p. 106
• Madrid - Barcelona 1930-1936. La tradición de lo nuevo, Fundación La Caixa, Barcelona, 1997, p. 106
• Gérard Durozoi, Histoire du mouvement surréaliste, Hazan, Paris, 1997, p. 146 (detail)
• Ian Gibson, The Shameful life of Salvador Dalí, Faber and Faber, London, 1997, il. XVI
• Robert Radford, Dalí, Phaidon, London, 1997, p. 130
• Dawn Ades, Fiona Bradley, Salvador Dalí: a mythology, Tate Gallery Publishing, London, 1998, p. 109 (detail), p. 115
• Salvador Dalí, Parkstone, England, 1999, p. 56 - 57
• Agustín Sánchez Vidal, Salvador Dalí, Electa, Madrid, 1999, p. 28 (detail)
• Fèlix Fanés, Salvador Dalí, la construcción de la imagen : 1925-1930, Electa, [Madrid], 1999, p. 148
• Christopher Green, Art in France : 1900- 1940, Yale University Press, New Haven and London, 2000, p. 125
• Fèlix Fanés, El Gran masturbador, Electa, Madrid, 2000, p. 13
• Peter Galassi, Robert Storr, Anne Umland, Making Choices: 1929, 1939, 1948, 1955, The Museum of Modern Art, New York, 2000, p. 48
• s. a., "["Illumined Pleasures" oil...]", Post-intelligencer, 2000, Seattle, Wash., St. Petersburg, Florida, n. p.
• Masterworks from the Museum of Modern Art, New York : 1900-1955, [Museum of Modern Art], [Japó], [2001], p. 51
• Ian Gibson, Lorca-Dalí : un amour impossible, Stanké, Paris, 2001, n. p.
• Gérard Durozoi, History of the surrealist movement, The University of Chicago Press, Chicago, London, 2002, p. 140
• Juan Antonio Ramírez, Dalí: lo crudo y lo podrido, A. Machado Libros, Madrid, 2002, p. 101
• Les Essentiels de l'art Dalí, Ludion, Amsterdam, 2003, p. 80
• The Portable Dalí, Universe, New York, 2003, p. 80
• Javier Pérez Andújar, Salvador Dalí : a la conquista de lo irracional, Algaba, Madrid, 2003, n. p.
• Art in our time : a chronicle of the Museum of Modern Art, Museum of Modern Art, New York, 2004, p. 236 (indirect image)
• Catalogne 2004, Michelin, Paris, 2004, p. 22-23
• Dalí, Bompiani, [Milà], 2004, p. 125
• Persistence and memory : new critical perspectives on Dalí centennial, Bompiani, [Milà], 2004, p. 30 (detail)
• Fèlix Fanés, La Pintura y sus sombras : cuatro estudios sobre Salvador Dalí, Museo de Teruel, Teruel, 2004, p. 64
• Jean-Louis Gaillemin, Dalí : master of fantasies, Harry N. Abrams, New York, 2004, p. 47 (detail)
• Jean-Louis Gaillemin, Dali : le grand paranoïaque, Découvertes Gallimard Arts, Paris, 2004, p. 46-47
• Jean-Louis Gaillemin, Dalí the impresario of surrealism, Thames & Hudson, London, 2004, p. 46-47
• Maria Lluïsa Borràs, Salvador Dalí : vida i obra d'un geni, Columna, Barcelona, 2004, n. p.
• Tim Martin, Surrealistas, Parragon, Barcelona, 2004, p. 170-171
• Vicent Santamaria de Mingo, El Pensament de Salvador Dalí en el llindar dels anys trenta, Publicacions de la Universitat Jaume I, Castelló de la Plana, 2005, p. 125 (detail)
• Salvador Dalí : La gare de Perpignan - Pop, Op, Yes-yes, Pompier, Hatje Cantz, Ostfildern, 2006, p. 96
• Marta Luna, Toni Matas, Dalí i els altres secrets, Distribucions d'Art Surrealista, Figueres, 2006, p. 5 (detail), p. 10
• Dalí & film, Tate Publishing, London, 2007, p. 60
• Agustín Sánchez Vidal, Salvador Dalí, Fundación Mapfre. Instituto de Cultura, Madrid, 2007, p. 46
• Haim Finkelstein, The Screen and the surrealist : art and thought, Ashgate, Aldershot, Hampshire, Burlington, 2007, p. 262
• Alessandro Del Puppo, Dalí et le surréalisme, E-ducation.it S.p.A, Florence, 2008, p. 28, p. 4 (detail)
• Gavin Parkinson, Surrealism, art and modern science : relativity, quantum mechanics, epistemology, Yale University, New Haven & London, 2008, p. 184
• Un perro andaluz 80 años después, Sociedad Estatal de Conmemoraciones Culturales, La Fábrica, Madrid, 2009, p. 84
• Dalí, Lorca y la Residencia de Estudiantes, Sociedad Estatal de Conmemoraciones Culturales, [Madrid], 2010, p. 284 (detail)
• Catherine Grenier, Salvador Dalí : l'invention de soi, Flammarion, Paris, 2011, p. 100
• Ralf Schiebler, Dalí : the reality of dreams, Prestel, New York, Munich, London, 2011, p. 42
• Laetitia Cénac, Gala Dalí : égérie de l'art moderne, La Martinière, Paris, 2012, p. 100-101 (indirect image)
• Roger Rothman, Tiny surrealism : Salvador Dalí and the aesthetics of the small, University of Nebraska, Lincoln & London, 2012, p. 68, p. 152 (detail)
• Shûzô Takigushi, Dalí : Tokio, 1939, Notari, Genève, 2012, il. 2 (indirect image)
• Gabriel Montua, Dalís 20. Jahrhundert : die westliche Kunst zwischen Politik, Markt und Medien, De Gruyter, Berlin, Boston, 2015, il. XIV
• Dali : poetics of the small, 1929-1936, Meadows Museum, Dallas, 2018, p. 27, p. 100 (detall)

The copyright on Salvador Dalí's works, included those that are reproduced in this Web page, is held by the Spanish State and has been granted in exclusivity to the Fundació Gala-Salvador Dalí.

Pursuant to intellectual property laws in force, the total or partial reproduction, distribution, transformation, public communication, interactively making available to the public, as well as any other exploitation, by any means, of the works included in this Web page is prohibited.

Any exploitation of Salvador Dalí's works is subject to the prior application and clearance of the relevant licence issued by VEGAP (tel. 91 532 66 32 and 93 201 03 31 ; www.vegap.es). Copyright infringement will be prosecuted according to Laws.